Mariko Mori
[Artist and photographer, b. 1967, Tokyo, Japan, lives in New York.]

 I must create the world in order to breathe in the world; I don’t exist unless I create. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Nature photography… that acknowledges what is wrong, is admittedly sometimes hard to bear—it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. 

Rainer Maria Rilke
[Writer and poet, b. 1875, Prague, d. 1926, Montreux, Switzerland.]

 Oh quickly disappearing photograph in my more slowly disappearing hand. 

Deborah Turbeville
[Photographer, b. 1932, Medford, Massachusetts, d. 2013, New York.]

 I destroy the image after I’ve made it, obliterate it a little so you never have it completely there. 

Norman Mailer
[Writer, b. 1923, Long Branch, New Jersey, d. 2007, New York.]

 Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. 

Jeff Wall
[Photographer, b. 1946, Vancouver, Canada, lives in Vancouver.]

 I’ve always felt that good art has to reflect somehow on its own process of coming to be. 

John Steinbeck
[Writer, b. 1902, Salinas, California, d. 1968, Sag Harbor, New York.]

 The camera is one of the most frightening of modern weapons, particularly to people who have been in warfare, who have been bombed and shelled for at the back of a bombing run is invariably a photograph. In the back of ruined towns, and cities, and factories, there is aerial mapping, or spy mapping, usually with a camera. Therefore the camera is a feared instrument, and a man with a camera is suspected and watched wherever he goes... In the minds of most people today the camera is the forerunner of destruction, and it is suspected, and rightly so. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 I went into a burning mode. I felt everything I had to do and say in photography had been done. [Irving Penn and Richard Avedon] fucked photography for us... They got there. (1979, On giving up photography and burning all his negatives)  
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