Janet Malcolm
[Writer, b. 1934, Prague, Czechoslovakia, lives in New York.]

 There are good photographers who might elevate themselves to the ranks of the great simply by burning most of their work. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I felt I had seen so much horror that it was likely to destroy me…. Yet… I cannot do without the head-on collision with life I have when I am working. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 The camera was another weapon in the wars of domination. 

Deborah Turbeville
[Photographer, b. 1932, Medford, Massachusetts, d. 2013, New York.]

 I destroy the image after I’ve made it, obliterate it a little so you never have it completely there. 

Henry Miller
[Writer, b. 1890, New York, d. 1980, Pacific Palisades, California.]

 [The photographer] is like a secretive insect who awaits for the appearance of some unknown epidemic before commencing his ravages. He is stubborn and elusive. He does the banal thing in order to hide his monstrous eccentricities. He has the eye of a ghoul, the indifference of a leper, the calm of a Buddha. He is insatiable. He is a monster—the most amiable, the most courteous, the most raffiné—but a monster. (On Brassaï, who he lastingly dubbed “the eye of Paris.”) 

Dorothea Lange
[Photographer, b. 1895, Hoboken, New Jersey, d. 1965, San Francisco.]

 I am trying here to say something about the despised, the defeated, the alienated. About death and disaster, about the wounded, the crippled, the helpless, the rootless, the dislocated. About finality. About the last ditch. 

Rainer Maria Rilke
[Writer and poet, b. 1875, Prague, d. 1926, Montreux, Switzerland.]

 Oh quickly disappearing photograph in my more slowly disappearing hand. 

Norman Mailer
[Writer, b. 1923, Long Branch, New Jersey, d. 2007, New York.]

 Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. 
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