Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 With a camera, one has to love individual cases. 

Richard Avedon
[Photographer, b. 1923, New York, d. 2004, San Antonio, Texas.]

 Sometimes I think all my pictures are just pictures of me. My concern is, how would you say, well, the human predicament; only what I consider the human predicament may simply be my own. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 Through the ass of this woman I saw the world. (On his series of photographs: “Superimpositions.”) 

Francis Galton
[Polymath, explorer, anthropologist, inventor, meteorologist, statistician, b. 1822, Birmingham, England, d. Haslemere, Surrey, England.]

 [My composite portrait process] represents no man in particular, but portrays an imaginary figure possessing the average features of any group of men. These ideal faces have a surprising air of reality. Nobody who glanced at one of them for the first time, would doubt its being the likeness of a living person, yet, as I have said, it is no such thing; it is the portrait of a type and not of an individual. (1879) 

Hiroshi Hamaya
[Photographer, b. 1915, Tokyo, Japan, d. 1999, Kanagawa, Japan.]

 I like the idea that my work isn’t intended only for the Earth, but for the entire Universe. 

Marshall McLuhan
[Writer and theorist, b. 1911, Edmonton, Alberta, Canada, d. 1980, Toronto, Canada.]

 Nobody can commit photography alone. 

Philip-Lorca diCorcia
[Artist, b. 1953, Hartford, Connecticut, lives in New York.]

 The more specific the interpretation suggested by a picture, the less happy I am with it. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Yes, photographs are only convincing if the photographer pays attention to the facts of life, but photographs have to point beyond the facts. 
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