Ishiuchi Miyako
[Photographer, b. 1947, Gunma Prefecture, Japan, lives in Tokyo.]

 The world only starts to become evident through personal histories. In “Hiroshima,” I don’t photograph the several hundreds of thousands of deaths, but an encounter with just one woman wearing a dress, with the dress arranged so that the woman, who is still missing today, can come home at any time. 

Joseph Goebbels
[Nazi Minister of Propaganda, b. 1897, Rheydt, Germany, d. 1945, Berlin.]

 The experience of the individual has become the experience of the people, thanks solely to the camera. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I remember a long time ago when I first began to photograph I thought, there are an awful lot of people in the world and it’s going to be terribly hard to photograph all of them, so if I photograph some kind of generalized human being, everybody’ll recognize it. It’ll be like what they used to call the common man or something. It was my teacher, Lisette Model, who finally made it clear to me that the more specific you are, the more general it’ll be. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 Through the ass of this woman I saw the world. (On his series of photographs: “Superimpositions.”) 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 The artist is one who makes a concentrated statement about the world in which he lives and that statement tends to become impersonal—it tends to become universal and enduring because it comes out of something very particular. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Yes, photographs are only convincing if the photographer pays attention to the facts of life, but photographs have to point beyond the facts. 

Paul Caponigro
[Photographer, b. 1932, Boston, Massachusetts, lives in Cushing, Maine.]

 We always point the lens both outward and inward. 

Shomei Tomatsu
[Photographer, b. 1930, Nagoya, Japan, d. 2012, Okinawa, Japan.]

 A single photograph is a mere fragment of an experience and, simultaneously, the distillation of the entire body of one’s experience. 
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