Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 Photographs immediately make everything old. 

Brian Duffy
[Photographer, b. 1933, London, d. 2010, London.]

 Photography was dead by 1972. Everything had been resolved between 1839 and 1972. Every picture after ‘72, I have seen pre-‘72. Nothing new. But it took me some time to detect its death. The first person who twigged was Henri Cartier-Bresson. He just stopped—and started painting and drawing. God, he was useless. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 A photograph is to a painting what an automobile is to a horse. A rider on his horse is a beautiful thing, but I prefer a man in an airplane. 

Victor Burgin
[Artist and writer, b. 1941, Sheffield, England, lives in London.]

 A job the artist does which no-one else does is to dismantle existing communication codes and to combine some of their elements into structures which can be used to generate new pictures of the world. 

Maggie Steber
[Photographer, b. 1949, born in Electra, Texas, lives in Miami, Florida.]

 Every time we click the shutter, it’s like a new day, a new chance to make a clean start, to be original. It’s a very exciting and exhausting thing to do. 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 Since it has the validity of a new expression, without traditions or conventions, the freshness of an experimental epoch, the strength of pioneering, photography has a significant status in the life of today. (1928) 

Margaret Bourke-White
[Photographer, b. 1904, New York, d. 1971, Darien, Connecticut.]

 The element of discovery is very important. I don’t repeat myself well. I want and need that stimulus of walking forward from one new world to another. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 To produce an authentic contemporary document, the visual impact should be such as will nullify explanation. 
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