Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 I always felt that when I was photographing, I had a psychic need to see this, to photograph this. And I think if somebody else had been doing this work, and if I could have seen these pictures anywhere at all, then there would have been no need to make them. 

Maggie Steber
[Photographer, b. 1949, born in Electra, Texas, lives in Miami, Florida.]

 Every time we click the shutter, it’s like a new day, a new chance to make a clean start, to be original. It’s a very exciting and exhausting thing to do. 

Edwin Parker “Cy” Twombly
[Artist, b. 1928, Lexington, Virginia, d. 2011, Rome.]

 The Image cannot
be dis possessed of a
priMORdial
freshness
which IDEAS
CAN NEVER CLAIM 

Pipilotti Rist
[Artist, b. 1962, Reinthal, Switzerland, lives in Zurich and Los Angeles.]

 Fifty years ago, the spoken word reigned, but during the last fifty years, the power has gone over to pictures. 

Aleksander Rodchenko
[Artist, designer, architect, b. 1891, St. Petersburg, d. 1956, Moscow.]

 Photography—the new, rapid, concrete reflector of the world—should surely undertake to show the world from all vantage points, and to develop people’s capacity to see from all sides. (1928) 

Chuck Close
[Artist, b. 1940, Monroe, Washington, lives in New York.]

 It always amazes me that just when I think there’s nothing left to do in photography and that all permutations and possibilities have been exhausted, someone comes along and puts the medium to new use, and makes it his or her own, yanks it out of this kind of amateur status, and makes it as profound and as moving and as formally interesting as any other medium. 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 Since it has the validity of a new expression, without traditions or conventions, the freshness of an experimental epoch, the strength of pioneering, photography has a significant status in the life of today. (1928) 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 To produce an authentic contemporary document, the visual impact should be such as will nullify explanation. 
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