Larry Fink
[Photographer, b. 1941, Brooklyn, New York, lives in Martins Creek, Pennsylvania.]

 The pictures are taken in the spirit of finding myself in the other or finding the other in myself. (On his images published as Social Graces, made mainly at museum and gallery parties and similar high-end social functions.) 

Philip K. Dick
[Writer, b. 1928, Chicago, Illinois, d. 1982, Santa Ana, California.]

 When do I see a photograph, when a reflection? 

Lee Friedlander
[Photographer, b. 1934, Aberdeen, Washington, lives in New York.]

 I suspect it is for one’s self-interest that one looks at one’s surroundings and one’s self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain. 

Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 When I looked at things for what they are I was fool enough to persist in my folly and found that each photograph was a mirror of my Self. 

Eikoh Hosoe
[Photographer, b. 1933, Yonezawa, Yamagata Prefecture, Japan, lives in Tokyo.]

 To me, a photograph is both a record and a testimony, mirror and window... in which inside and outside are as one, ever-changing... The camera is generally assumed to be unable to depict that which is not visible to the eye. And yet the photographer who wields it well can depict what lies unseen in his memory. 

Ralph Steiner
[Photographer, b. 1899, Cleveland, Ohio, d. 1986, Hanover, New Hampshire.]

 By showing a picture, you’re showing an x-ray of your heart. 

Alec Soth
[Photographer, b. 1969, Minneapolis, Minnesota, lives in Saint Paul, Minnesota.]

 Whether you are Minor White or Robert Frank, almost every photograph starts with an act of pure description—a window. But every now and then you catch a glimpse of the photographer’s reflection. The mirror is just another function of the window. 

Shelby Lee Adams
[Photographer, b. 1950, Hazard, Kentucky, lives in Pittsfield, Massachusetts.]

 [My] portraits are, in a way, self-portraits that represent a long autobiographical exploration of creativity, imagination, vision, repulsion and salvation. My greatest fear as a photographer is to look into the eyes of my subject and not see my own reflection. 
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