Alec Soth
[Photographer, b. 1969, Minneapolis, Minnesota, lives in Saint Paul, Minnesota.]

 Whether you are Minor White or Robert Frank, almost every photograph starts with an act of pure description—a window. But every now and then you catch a glimpse of the photographer’s reflection. The mirror is just another function of the window. 

Frank Horvat
[Photographer, b. 1928, Abbazia, Italy, now Opatija, Croatia, lives in Paris.]

 By trying many different approaches, you may slowly reach the point where you say more about yourself than about the objects or the landscapes or the people you photograph—and this is where photography really interests me. 

Jo Ann Callis
[Photographer, b. 1940, Cincinnati, Ohio, lives in Los Angeles.]

 I photographed models, but all of them, female or male, are me. It’s coming from me. My insecurities, my revenge, my disappointment. 

Geoff Dyer
[Writer and critic, b. 1958, Cheltenham, England, lives in London.]

 This is the eternal question about photography, isn’t it: the old who by/what of? Is a photograph defined by what’s in it or by who took it? Well, a bit of both, obviously. 

Eikoh Hosoe
[Photographer, b. 1933, Yonezawa, Yamagata Prefecture, Japan, lives in Tokyo.]

 To me, a photograph is both a record and a testimony, mirror and window... in which inside and outside are as one, ever-changing... The camera is generally assumed to be unable to depict that which is not visible to the eye. And yet the photographer who wields it well can depict what lies unseen in his memory. 
 To me photography can be simultaneously a record and a “mirror” or “window” of self-expression. 

Anaïs Nin
[Writer, b. 1903, Neuilly, France, d. 1977, Los Angeles.]

 We don’t see things as they are, we see them as we are. 

Christian Boltanski
[Artist, b. 1944, Paris, lives in Paris.]

 I hold a mirror to my face so that those who look at me see themselves and therefore I disappear. 
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