Gerhard Richter
[Artist, b. 1932, Dresden, lives in Düsseldorf.]

 I had had enough of bloody painting, and painting from a photograph seemed to me the most moronic thing that anyone could do. 

Hunter Thompson
[Writer, b. 1937, Louisville, Kentucky, d. 2005, Woody Creek, Colorado.]

 These horrifying digital snapshots of the American dream in action on foreign soil are worse than anything even I could have expected. I have been in this business a long time and I have seen many staggering things, but this one is over the line. Now I am really ashamed to carry an American passport. (On photographs of Abu Ghraib prison in Iraq) 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I never did [understand L.A.], really: I always believed that God would destroy L.A. for its sins. Finally I realized that He had already destroyed it, and then left it around as a warning. 

Simon Norfolk
[Photographer, b. 1963, Lagos, Nigeria, lives in Brighton, England.]

 [My] pictures are about memory and forgetfulness. The evidence is dissolving. Bones crumble; human ash returns to soil; teeth, sandals, hair, bullets, axes disperse into atoms and molecules. Footprints in the snow will be erased by the next storm. The evidence of evil, like the evidence of good, obeys the universal laws of entropy. Heat cools, matter disintegrates, memories fade. If we let them. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 The darkroom can be cruel. You have to talk your way through your printing, alone, sometimes you turn the radio on and listen to trash music. When I finish, I wash everything meticulously, I dust everything, it’s like paying a homage to the spiritual power that could destroy me. And I won’t let it. Something else will destroy me—but it won’t be the darkroom, it won’t be photography. I am very strong, nearly ninety nine percent of me is strong and fortified all around. But I am sure there is a crack, somewhere behind me, in my make-up, where the damage will get in and destroy me. 

Nobuyoshi Araki
[Photographer, b. 1940, Tokyo, lives in Tokyo.]

 If I hadn’t documented [my wife’s] death, both the description of my state of mind and my declaration of love would have been incomplete. I found consolation in unmasking lust and loss, by staging a bitter confrontation between symbols. After Yoko’s death, I didn’t want to photograph anything but life—honestly. Yet every time I pressed the button, I ended up close to death, because to photograph is to stop time. I want to tell you something, listen closely: photography is murder. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

William Eggleston
[Photographer, b. 1939, Memphis, Tennessee, lives in Memphis.]

 Everything [in a photograph] works, or nothing works. 
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