Cindy Sherman
[Artist, b. 1954, Glen Ridge, New Jersey, lives in New York.]

 In horror stories or in fairy tales, the fascination with the morbid is also, at least for me, a way to prepare for the unthinkable... That’s why it’s very important for me to show the artificiality of it all, because the real horrors of the world are unmatchable, and they’re too profound. 

Arno Rafael Minkkinen
[Photographer, b. 1945, Helsinki, Finland, lives in Andover, Massachusetts.]

 I think photography piles up the limitations more than any other medium I know… To outwit the calamities, I have learned to formulate a partnership with spontaneity. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I never did [understand L.A.], really: I always believed that God would destroy L.A. for its sins. Finally I realized that He had already destroyed it, and then left it around as a warning. 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 I seek to reveal the landscape in something other than purely visual terms, the photograph transcribing it as an archetypal space of destruction and ruin that mirrors the darker corners of our consciousness. 

Tom Wolfe
[Writer, b. 1931, Richmond, Virginia, lives in New York.]

 Suddenly there is magic in such items... as random and eccentric framing, blurred images, keeling horizons, distorted scale, unreal colors (puce waters, chartreuse skies), grotesque foreshortening... and nightclub photo lighting with its flash overexposures and clotted shadows and inexplicable detail and tilted walls and stray items—arms, legs, shoes, cloven bottoms, anorexic elbows—appearing in an amputated condition about the edges... Once regarded as technical limitation of the medium, as annoyances to be overcome by professional expertise, they now become like animae, tree spirits, to be treated with reverence and looked to for guidance. 

Vik Muniz
[Artist, b. 1961, Sao Paulo, Brazil, lives in New York.]

 I have failed so much that I now stand on failure itself. It has become my work place and where I harvest my best ideas. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I used photography to distance myself from a world that I loathed and was powerless to improve. 

David Wojnarowicz
[Artist and activist, b. 1954, Redbank, New Jersey, d. 1990, New York.]

 I am all emptiness and futility. I am an empty stranger, a carbon copy of my form. I can no longer find what I’m looking for outside of myself. It doesn’t exist out there. Maybe it’s only in here, inside my head. But my head is glass and my eyes have stopped being cameras, the tape has run out and nobody’s words can touch me. 
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