Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 Facts cling to photographs like dust. 

Sarah Kember
[Writer and critic, lives in London.]

 Computer manipulated and simulated imagery appears to threaten the truth status of photography even though that has already been undermined by decades of semiotic analysis. How can this be? How can we panic about the loss of the real when we know (tacitly or otherwise) that the real is always lost in the act of representation? 

Eleanor Antin
[Artist, b. 1935, New York, lives in San Diego, California.]

 I adore [photography’s] uneasy mix of fact and fiction—its dubious claim to truth—its status as history. 

George Bernard Shaw
[Writer, critic, and dramatist, b. 1856, Dublin, d. 1950, Ayot St. Lawrence, Hertfordshire, England.]

 I would willingly exchange every single painting of Christ for one snapshot. 

Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 Photographs attract false beliefs the way flypaper attracts flies. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 People believe in the reality of photographs, but not in the reality of paintings. That gives photographers an enormous advantage. Unfortunately, photographers also believe in the reality of photographs. 

Saul Steinberg
[Artist, b. 1914, Râmnicu Sarat, Romania, d. 1999, New York.]

 It seems that photography has just been calisthenics, an illusion, an alibi for the real thing. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 I don’t want a picture to look like something it isn’t. I want it to look like something it is. 
quotes 1-8 of 240
page 1 of 30 next page last page
display quotes