Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Documentary is a little like horror movies, putting a face on fear and transforming threat into fantasy, into imagery. One can handle imagery by leaving it behind. (It is them, not us.) 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 Every time I go through something scary, traumatic, I survive by taking pictures. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 We are spinning a story of what it is to grow up. It’s a complicated story and sometimes we try to take on the grand themes: anger, love, death, sensuality and beauty. Without fear and without shame. 

Berenice Abbott
[Photographer, writer, teacher, b. 1898, Springfield, Ohio, d. 1991, Monson, Maine.]

 I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that “a nice girl should not go into such neighborhoods”) 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 ...the fear of the image, the anxiety that the “power of images” may finally destroy even their creators and manipulators, is as old as image-making itself. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 Photography should have the courage to present itself as what it is, which is a graphic composition produced by a machine and an eye and then some chemicals and paper. Technically, it has nothing to do with painting. 

Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 I will be shot with a rifle at 7:45 P.M. I hope to have some good photos. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 If I’d had the nerve, I’d have become a thief or a gangster, but since I didn’t, I became a photographer. 
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