Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 I prefer to work on the edge, not the middle of the road. I am looking for chaos. 

Gabriel Orozco
[Artist, b. 1962, Jalapa, Veracruz, Mexico, lives in New York, Paris, and Mexico City.]

 We normally consider stability to be the constant in life and accidents to be the exception, but it’s exactly the opposite. In reality, the accident is the rule and stability is the exception. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 [With my photographs] you have a [single, forever fixed] moment and my particular angle of vision. My tyrannical condition, as it were, is that I prescribe your vision. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Actually, it’s quite true that [Cartier-Bresson is] not waiting for anyone, since he’s not made any appointment, but the very fact that he’s adopting this ultra-receptive posture means that by this he wants to help chance along, how should I say, to put himself in a state of grace with chance, so that something might happen, so that someone might drop in. 

Paolo Roversi
[Photographer, b. 1947, Ravenna, Italy, lives in Paris.]

 My studio is a place for chance, the dream, the imaginary to prevail. I give these forces as much space as I can. 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 For a street photographer like myself, randomness is everything, because that’s one thing the world has in abundance, and I am just passing through it with my snare. My camera is a snare. I can throw this sieve out there and I can capture things in it. And risking that gesture all the time is part of the joy of seeing, because I don't have to stretch a canvas, I don’t have to mix the paints, I don’t have to light the studio. I walk around in the world, which is bombarding me with sensations all the time. 

Bill Brandt
[Photographer, b. 1904, Hamburg, Germany, d. 1983, London.]

 A photographer must be prepared to catch and hold onto those elements which give distinction to the subject or lend it atmosphere. They are often momentary, chance-sent things... 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You see something happening and you bang away at it. Either you get what you saw or you get something else—and whichever is better you print. 
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