Brian Eno
[Musician, composer, artist, b. 1948, Woodbridge, England, lives in Suffolk, England.]

 Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them. 

Phil Stern
[Photographer, b. 1919, Philadelphia, Pennsylvania, d. 2014, Los Angeles.]

 There is no such thing as the perfect picture. That’s the challenge of photography. I was always striving for perfection, even though I knew I could never achieve it. But it kept me reaching for something... 

Idris Khan
[Artist, b. 1978, Birmingham, England, lives in London.]

 Recently, I can’t seem to take a straight photograph without thinking that what I am photographing won’t be the final image—like the world in front of me is not good enough or something. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 I’m so worried that I’m going to perfect [my] technique someday. I have to say its unfortunate how many of my pictures do depend upon some technical error. 

Barbara Ess
[Photographer, b. 1948, Brooklyn, New York, lives in New York.]

 My camera distorts and I like that—I like distortion in music too because it loosens things up. (On her pinhole camera) 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 I was always against good technique because it didn’t work with Soviet life. Good quality equals foreign life. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 I prefer to work on the edge, not the middle of the road. I am looking for chaos. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 
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