Tibor Kalman
[Graphic designer, b. 1949, Budapest, d. 1999, Dorado, Puerto Rico.]

 Could you blow this up really big and print it in the wrong color and tell everybody to go back to school and to remember that form ain’t worth shit anyway and that content ideas you big bunch of jerks rules make that part red or something ok? 

Corinne Day
[Photographer, b. 1962, Ealing, West London, d. 2010, Denham, England.]

 The ‘grunge look’, as my style was called, simply showed girls as they really are, without make-up, styled hair, flattering light. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I don’t know what good composition is... Sometimes for me composition has to do with a certain brightness or a certain coming to restness and other times it has to do with funny mistakes. There’s a kind of rightness and wrongness and sometimes I like rightness and sometimes I like wrongness. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 

Boris Mikhailov
[Photographer, b. 1938, Kharkov, Ukraine, lives in Kharkov and Berlin.]

 I was always against good technique because it didn’t work with Soviet life. Good quality equals foreign life. 

Gregory Crewdson
[Photographer, b. 1962, Brooklyn, New York, lives in New Haven Connecticut.]

 I think my pictures are really about a kind of tension between my need to make a perfect picture and the impossibility of doing so. Something always fails, there’s always a problem, and photography fails in a certain sense… This is what drives you to the next picture. 

Paul Theroux
[Writer, b. 1941, Medford, Massachusetts, lives in Cape Cod, Massachusetts and Haleiwa, Hawaii.]

 Tonight, I knew despair. Photography wasn’t an art, it was a craft, like making baskets. Error, the essential wrinkle in the fiber of art, was inexcusable in a craft. 

Barbara Ess
[Photographer, b. 1948, Brooklyn, New York, lives in New York.]

 My camera distorts and I like that—I like distortion in music too because it loosens things up. (On her pinhole camera) 
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