Brian Eno
[Musician, composer, artist, b. 1948, Woodbridge, England, lives in Suffolk, England.]

 Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them. 

Robert Rauschenberg
[Artist, b. 1925, Port Arthur, Texas, d. 2008, Captiva Island, Florida.]

 I’m quite taken aback when I get something that appears to be technically a good photograph, because it’s not necessarily my intention. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Recently I did a picture—I’ve had this experience before—and I made rough prints of a number of them. There was something wrong in all of them. I felt I’d sort of missed it and I figured I’d go back. But there was one that was just totally peculiar. It was a terrible dodo of a picture. It looks to me a little as if the lady’s husband took it. It’s terribly head-on and sort of ugly and there’s something terrific about it. I’ve gotten to like it better and better and now I’m secretly sort of nutty about it. 

Corinne Day
[Photographer, b. 1962, Ealing, West London, d. 2010, Denham, England.]

 The ‘grunge look’, as my style was called, simply showed girls as they really are, without make-up, styled hair, flattering light. 

Cecil Beaton
[Photographer, b. 1904, London, d. 1980, Broad Chalke, Wiltshire, Great Britain.]

 I want to make photographs of very elegant women taking the lipstick off their teeth. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 

Eugène Delacroix
[Artist, b. 1798, Charenton-St.Maurice, France, d. 1863, Paris.]

 [Photography is] in some ways false just because it is so exact. 

Barbara Ess
[Photographer, b. 1948, Brooklyn, New York, lives in New York.]

 My camera distorts and I like that—I like distortion in music too because it loosens things up. (On her pinhole camera) 
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