Andres Serrano
[Artist, b. 1950, New York, lives in New York.]

 I’ve always understood the nature of conflict and duality, so I don’t have a problem with the duality of images and the fact that they can blow hot and cold or be seductive and critical at the same time. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Each good picture always holds despair within it, for it raises the ante for the ones that follow. 

Lucas Samaras
[Artist, b. 1936, Kastoria, Greece, lives in New York.]

 You don’t have to say that nature is aware of your existence, that God knows you are here and you are suffering or having joy. The camera gives you proof that you have lived at least once. 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Almost all photographers have incurred large expenses in the pursuit of tiny audiences, finding that the wonder they’d hoped to share is something few want to receive. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 I think I always had a cold eye. I always saw things realistically. But, it’s also easier to show the darkness than the joy of life. Life is not beautiful all the time. Life can be good, then you lie down, and stare up at the ceiling, and the sadness falls on you. Things move on, time passes, people go away, and sometimes they don’t come back. 

Tim Page
[Photographer, b. 1944, Tunbridge Wells, Kent, lives in Brisbane, Australia.]

 Every good war picture becomes an anti-war picture. 

Max Beckman
[Artist, b. 1884, Leipzig, Germany, d. 1950, New York.]

 We will enjoy ourselves with the forms that are given us: a human face, a hand, the breast of a woman or the body of a man, a glad or sorrowful expression, the infinite seas, the wild rocks, the melancholy language of the black trees in the snow, the wild strength of spring flowers and the heavy lethargy of a hot summer day when Pan, our old friend, sleeps and the ghosts of midday whisper. This alone is enough to make us forget the grief of the world, or to give it form. 

Ishiuchi Miyako
[Photographer, b. 1947, Gunma Prefecture, Japan, lives in Tokyo.]

 I cannot stop [taking photographs of scars] because they are so much like a photograph… They are visible events, recorded in the past. Both the scars and the photographs are the manifestation of sorrow for the many things which cannot be retrieved... 
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