Harold Evans
[Writer and editor, b. 1928, Manchester, England, lives in New York.]

 People were murdered for the camera; and some photographers and a television camera crew departed without taking a picture in the hope that in the absence of cameramen acts might not be committed. Others felt that the mob was beyond appeal to mercy. They stayed and won Pulitzer Prizes. Were they right? 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 If your pictures aren’t good enough, you’re not close enough. 

Shomei Tomatsu
[Photographer, b. 1930, Nagoya, Japan, d. 2012, Okinawa, Japan.]

 When I am faced with the victims of the bomb, I find myself almost praying as I release the shutter of my camera. It is as if they are the God of the fin-de-siècle, Christ of the nuclear age. 

Roman Vishniac
[Photographer, b. 1897, Pavlovsk, Russia, d. 1990, New York.]

 I was living in Germany in the thirties, and I knew that Hitler had made it his mission to exterminate all Jews, especially the children and the women who could bear children in the future. I was unable to save my people, only their memory. 

George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 I hope to stay unemployed as a war photographer till the end of my life. (At the end of World War II.) 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 ... and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future—causing them caution and remembrance and realization. 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 For me the strength of photography lies in its ability to evoke humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war. 
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