James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 The greatest statesmen, philosophers, humanitarians… have not been able to put an end to war. Why place that demand on photography? 

Lynsey Addario
[Photographer, b. 1973, Norwalk, Connecticut, lives in Islington, England.]

 I choose to live in peace and witness war—to experience the worst in people but to remember the beauty. 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

David Levi Strauss
[Writer and critic, b. 1953, Junction City, Kansas, lives in New York.]

 The attack on New York’s Twin Towers was the most photographed event in history. It was clearly planned and executed to maximize imaging. The delay between the two crashes seemed calculated to allow cameras—in what is arguably the most densely camera-rich environment in the world—to turn en masse toward the towers like a field of phototropic sunflowers. 

Slim Aarons
[Photographer, b. 1916, New York, d. 2006, Montrose, New York.]

 The only beach I was interested in landing on was one decorated with beautiful seminude girls tanning in a tranquil sun. (On declining a photojournalism offer to cover the Korean War) 

George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 ... and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future—causing them caution and remembrance and realization. 

Nhem En
[Photographer, b. 1961, Kampong Leng, Kampong Chhnang, Cambodia, lives in Cambodia.]

 My only job was to photograph them, and it was someone else who tortured and killed these people. As a photographer, I had no right to beat, torture, or kill prisoners. I could not touch them. (En, official photographer at Khmer Rouge torture center Tuol Sleng, estimates he took photographs of 10,000 people arriving at the center. Eight survived.) 
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