Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I’m like an old junkie, in a way. You don’t stick syringes in your arm—you go straight for the most important part of your body, the brain. You are destroying it the moment you go to your first war. 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 I used to call myself a war photographer. Now I consider myself as an antiwar photographer. 

David Levi Strauss
[Writer and critic, b. 1953, Junction City, Kansas, lives in New York.]

 The attack on New York’s Twin Towers was the most photographed event in history. It was clearly planned and executed to maximize imaging. The delay between the two crashes seemed calculated to allow cameras—in what is arguably the most densely camera-rich environment in the world—to turn en masse toward the towers like a field of phototropic sunflowers. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

Anne Frank
[Writer, b. 1929, Frankfurt, Germany, d. 1945, Bergen-Belsen concentration camp, Germany.]

 This is a photo as I would wish myself to look all the time. Then I would maybe have a chance to come to Hollywood. (10, October, 1942; Handwritten inscription on a photograph) 

Susie Linfield
[Writer and critic, New York, lives in New York.]

 Every image of barbarism—of immiseration, humiliation, terror, extermination—embraces its opposite, though sometimes unknowingly. Every image of suffering says not only, “This is so,” but also, by implication: “This must stop.” 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 For me the strength of photography lies in its ability to evoke humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Let the atrocious images haunt us. Even if they are only tokens, and cannot possibly encompass most of the reality to which they refer, they still perform a vital function. The images say: This is what human beings are capable of doing—may volunteer to do, enthusiastically, self-righteously. Don’t forget. 
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