Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 A photograph is to a painting what an automobile is to a horse. A rider on his horse is a beautiful thing, but I prefer a man in an airplane. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 It’s too presumptuous and naïve to think you can change society by a photograph or anything else... I equate that with propaganda; I think that’s a lower rank of purpose. 

Abigail Solomon-Godeau
[Writer and theorist, b. 1947, New York, lives in Santa Barbara, California.]

 Art photography, although long since legitimized by all the conventional discourses of fine art, seems destined perpetually to recapitulate all the rituals of the arriviste. Inasmuch as one of those rituals consists of the establishment of suitable ancestry, a search for distinguished bloodlines, it inevitably happens that photographic history and criticism are more concern with notions of tradition and continuity than with those of rupture and change. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 I’m an anarchist, yes, because I’m alive. Life is a provocation... I’m against people in power and what that imposes on them. Anglo-Saxons have to learn what anarchism is. Ask a cat. A cat understands. They’re against discipline and authority. A dog is trained to obey. Cats can’t be. Cats bring on chaos. 

Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility... My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. (1923) 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 Virtually the whole of society believes in what they believe not by direct experience but by what they’ve been told. We photographers are in this exalted, privileged position of actually going out to find out for ourselves, and that’s why we’re so dangerous. Because we were there. We saw what happened. 

Edward Weston
[Photographer, b. 1886, Highland Park, Illinois, d. 1958, Wildcat Hill, California.]

 Photography, not soft gutless painting, is best equipped to bore into the spirit of today. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 It is through the power of images that, in time, real revolutions may well be brought about. 
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