Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Get Weston off your back, forget Arbus, Frank, Adams, White, don’t look at photographs. Kill the Buddha. 

Doug and Mike Starn
[Artists, b. 1961, Absecon, New Jersey, live in Brooklyn, New York.]

 The only way for the creative mind to function is through anarchy. Art can’t flourish while bound to the concerns of previous generations. Photography, as a rule, has too many rules. 

John Heartfield (Helmut Franz Joseph Herzfeld)
[Artist, b. 1891, Munich, Germany, d. 1968, Berlin.]

 Use Photography as a Weapon! (Sign over the entrance to the John Heartfield room at the 1929 “Film und Foto” exhibition in Stuttgart.) 

David Hockney
[Artist, b. 1937, Bradford, England, lives in Bridlington, Yorkshire; London; and Los Angeles.]

 All religions are about social control. The church, when it had social control, commissioned paintings, which were made using lenses and when it stopped commissioning images, its power declined, slowly. Social control today is in the media—and based on photography. The continuum is the mirrors and lenses. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 I’m an anarchist, yes, because I’m alive. Life is a provocation... I’m against people in power and what that imposes on them. Anglo-Saxons have to learn what anarchism is. Ask a cat. A cat understands. They’re against discipline and authority. A dog is trained to obey. Cats can’t be. Cats bring on chaos. 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Paul Strand
[Photographer, b. 1890, New York, d. 1976, Oregeval, France.]

 I’ve always felt you can do anything you want in photography, if you can get away with it. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 Virtually the whole of society believes in what they believe not by direct experience but by what they’ve been told. We photographers are in this exalted, privileged position of actually going out to find out for ourselves, and that’s why we’re so dangerous. Because we were there. We saw what happened. 
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