André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 It is through the power of images that, in time, real revolutions may well be brought about. 

Abigail Solomon-Godeau
[Writer and theorist, b. 1947, New York, lives in Santa Barbara, California.]

 Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exhausted lode. 

Manuel Álvarez Bravo
[Photographer, b. 1902, Mexico City, d. 2002, Mexico City.]

 A photographer’s main instrument is his eyes. Strange as it may seem, many photographers choose to use the eyes of another photographer, past or present, instead of their own. Those photographers are blind. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 I’m an anarchist, yes, because I’m alive. Life is a provocation... I’m against people in power and what that imposes on them. Anglo-Saxons have to learn what anarchism is. Ask a cat. A cat understands. They’re against discipline and authority. A dog is trained to obey. Cats can’t be. Cats bring on chaos. 

Laszlo Moholy-Nagy
[Artist, photographer, designer, and teacher, b. 1895, Bacsbarsod, Hungary, d. 1946, Chicago, Illinois.]

 The invention of photography destroyed the canons of representational, imitative art. 

Hugh Hefner
[Publisher and playboy, b. 1926, Chicago, d. 2017, Los Angeles.]

 I suggested that sex was not the enemy, that violence was the enemy, that nice girls like sex. The centerfold itself, the girl-next-door-centerfold, in a very simplistic way was rooted in that philosophy, that that sex is okay, it’s a natural part of life, a very radical idea in America... 

John Gossage
[Photographer, b. 1946, Staten Island, New York, lives in Washington D.C..]

 You can do anything you like, it’s all fiction. 

Sergei Tretyakov
[Writer, critic, and artist, b. 1892, Guldiga, Russia (now Kuldigas, Latvia), d. 1939, Moscow.]

 Every young boy with a camera wages war against the easel painters, and every little reporter-factographer can turn his pen into a mortal weapon against literature. (1928) 
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