Tristan Tzara (Sami Rosenstock)
[Writer and artist, b. 1896, Moineti, Bacu, Romania, d. 1963, Paris.]

 When everything that is called art was well and truly riddled with rheumatism, the photographer lit the thousands of candles whose power is contained in his flame, and the sensitive paper absorbed by degrees the blackness cut out of some ordinary object. He had invented a fresh and tender flash of lightning. 

Gertrude Käsebier
[Photographer, b. 1852, Fort Des Moines, Iowa, (now Des Moines), d. 1934, New York.]

 The key to artistic photography is to work out your own thoughts, by yourselves. Imitation leads to certain disaster. New ideas are always antagonized. Do not mind that. If a thing is good it will survive. 

Manuel Álvarez Bravo
[Photographer, b. 1902, Mexico City, d. 2002, Mexico City.]

 A photographer’s main instrument is his eyes. Strange as it may seem, many photographers choose to use the eyes of another photographer, past or present, instead of their own. Those photographers are blind. 

Doug and Mike Starn
[Artists, b. 1961, Absecon, New Jersey, live in Brooklyn, New York.]

 The only way for the creative mind to function is through anarchy. Art can’t flourish while bound to the concerns of previous generations. Photography, as a rule, has too many rules. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Get Weston off your back, forget Arbus, Frank, Adams, White, don’t look at photographs. Kill the Buddha. 

Kansuke Yamagata
[Photographer and poet, b. 1914, Nagoya, Japan, d. 1987, Nagoya.]

 What is a good photograph?... To put it concisely, good photos aim at revolution... They emerge from everyday events and connect to revolution. 

Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 Virtually the whole of society believes in what they believe not by direct experience but by what they’ve been told. We photographers are in this exalted, privileged position of actually going out to find out for ourselves, and that’s why we’re so dangerous. Because we were there. We saw what happened. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 I wanted to go to the end of photography. 
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