Hiroshi Sugimoto
[Photographer, b. 1948, Tokyo, lives in New York.]

 People have been reading photography as a true document, at the same time they are now getting suspicious. I am basically an honest person, so I let the camera capture whatever it captures... whether you believe it or not is up to you; it’s not my responsibility, blame my camera, not me. 

Anthony Aziz

 ... with the end of truth in photography has come a corresponding loss of trust; every image, every representation, is now a potential fraud. And as the eternal debate rages on about the appearance of truth and truth itself, simulation is the only truth we can trust. 

W.H. Auden
[Poet and writer, b. 1907, York, North Yorkshire, England, d. 1973, Vienna, Austria.]

 The steady eyes of the crow and the camera’s candid eye
See as honestly as they know how, but they lie.  

Sarah Kember
[Writer and critic, lives in London.]

 Computer manipulated and simulated imagery appears to threaten the truth status of photography even though that has already been undermined by decades of semiotic analysis. How can this be? How can we panic about the loss of the real when we know (tacitly or otherwise) that the real is always lost in the act of representation? 

Joan Fontcuberta
[Photographer, b. 1955, Barcelona, lives in Barcelona.]

 Every photograph is a fiction with pretensions to truth. Despite everything that we have been inculcated, all that we believe, photography always lies; it lies instinctively, lies because its nature does not allow it to do anything else. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Standing alone, photographs promise an understanding they cannot deliver. In the company of words, they take on meaning, but they slough off one meaning and take on another with alarming ease. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 The question at hand is the danger posed to truth by computer-manipulated photographic imagery. How do we approach this question in a period in which the veracity of even the straight, unmanipulated photograph has been under attack for a couple of decades. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 However much [photographs] may lie, they do so with the raw materials of truth. 
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