Marc Riboud
[Photographer, b. 1923, St.-Genis-Laval, France, d. 2016, Paris.]

 I have always been more sensitive to the beauty of the world than to violence and monsters. 

Tallulah Bankhead
[Actress, b. 1902, Huntsville, Alabama, d. 1968, New York.]

 They used to photograph Shirley Temple through gauze. They should photograph me through linoleum. 

David Hockney
[Artist, b. 1937, Bradford, England, lives in Bridlington, Yorkshire; London; and Los Angeles.]

 I believe that the very process of looking can make a thing beautiful. 

Peter Beard
[Artist, b. 1938, New York, lives in New York City, Montauk Point, New York, and Ngong Hills, Kenya.]

 I am a parasite off beauty. 

Chris Burden
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]

 It’s about trying to frame something. And draw attention to it and say, “Here’s the beauty in this. I’m going to put a frame around it, and I think this is beautiful.” That’s what artists do. It’s really a pointing activity. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 Probably I was never going to get out of National City, so I was going to show people what it’s like, to make art out of where I lived without glamorizing it, and with the idea that truth is beautiful, no matter how ugly it is. I drove around in the car shooting my pictures from the window, because I didn’t want to make the place more beautiful by setting my camera up with a tripod, getting the right light, and just the right composition. I wanted it just the way it is. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 Until a few years ago, I was able to stave off an awareness that there is not an ounce of beauty in the world, and that humanity is a thing of extreme hideousness. So I could shoot and believe in something. (1972) 

Brian Eno
[Musician, composer, artist, b. 1948, Woodbridge, England, lives in Suffolk, England.]

 Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them. 
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