Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Ishiuchi Miyako
[Photographer, b. 1947, Gunma Prefecture, Japan, lives in Tokyo.]

 The natural choice is to photograph what you like. I chose what I hated. 

James Joyce
[Writer, b. 1882, Rathgar, Ireland, d. 1941, Zurich, Switzerland.]

 ...Ill make him feel all over him till he half faints under me then hell write about me lover and mistress publicly too with our 2 photographs in all the papers when he becomes famous... 

Lee Friedlander
[Photographer, b. 1934, Aberdeen, Washington, lives in New York.]

 I only wanted Uncle Vern standing by his new car (a Hudson) on a clear day. I got him and the car. I also got a bit of Aunt Mary’s laundry and Beau Jack, the dog, peeing on a fence, and a row of potted tuberous begonias on the porch and seventy-eight trees and a million pebbles in the driveway and more. It’s a generous medium, photography. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 [Eugene Smith] was always writing these diatribes about truth, and how he wanted to tell the truth, the truth, the truth. It was a real rebel position. It was kind of like a teenager’s position: why can’t things be like they should be? Why can’t I do what I want? I latched on to that philosophy. One day I snapped, hey, you know, I know a story that no one’s ever told, never seen, and I’ve lived it. It’s my own story and my friends’ story. 

Kate Moss
[Model, b. 1974, Croydon, England, lives in St Johns Wood, England.]

 Once I was walking from The Mercer Hotel in New York down the street, and this woman paparazzo who was following me fell over a fire hydrant and her whole tooth went through her lip. I leant over her, saying, “Are you all right?” and she was still taking pictures. I was, “You know what? You are sick in the head.” 

Ed Ruscha
[Artist, b. 1937, Omaha, Nebraska, lives in Los Angeles.]

 Yes, there’s a certain power to a photograph. The camera has a way of disorienting a person, if it wants to and, for me, when it disorients, it’s got real value. 

Italo Calvino
[Writer, b. 1923, Santiago de la Vegas, Cuba, d. 1985, Siena, Italy.]

 Whatever person you decide to photograph, or whatever thing, you must go on photographing it always, exclusively, at every hour of the day and night. 
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