Claude Lévi-Strauss
[Anthropologist, b. 1908, Brussels, Belgium, d. 2009, Paris.]

 [Photography] remains servile to a “thoughtless” vision of the world… As the term snapshot suggests, photography seizes the moment and exhibits it. 

Shirin Neshat
[Artist, photographer, and filmmaker, b. 1957, Qazvin, Iran, lives in New York.]

 I find that through the study of women, you get to the heart—the truth—of the culture. 

Auguste Rodin
[Artist, b. 1840, Paris, France, d. 1917, Paris.]

 If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. (1911) 

David Maisel
[Photographer, b. 1961, New York, lives in San Francisco.]

 My sense is that the places I photograph are an outer manifestation of our own psyches. These are not simply the work of some corporate enemy, but rather a reflection of who and what we are collectively, as a society. 

Philippe Halsman
[Photographer, b. 1906, Riga, Latvia, d. 1979, New York.]

 This fascination with the human face has never left me... Every face I see seems to hide and sometimes, fleetingly, to reveal the mystery of another human being... Capturing this revelation became the goal and passion of my life. 

Richard Avedon
[Photographer, b. 1923, New York, d. 2004, San Antonio, Texas.]

 Faces are the ledgers of our experience. 

Allan Sekula
[Photographer, writer, and theorist, b. 1951, Erie, Pennsylvania, d. 2013, Los Angeles.]

 Despite the powerful impression of reality (imparted by the mechanical registration of a moment of reflected light according to the rules of normal perspective), photographs, in themselves, are fragmentary and incomplete utterances. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 You’ve got to struggle against the pollution of intelligence in order to become an animal with very sharp instincts—a sort of intuitive medium—so that to photograph becomes a magical act, and slowly other more suggestive images begin to appear behind the visible image, for which the photographer cannot be held responsible. 
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