Mary Ellen Mark
[Photographer, b. 1940, Elkins Park, Pennsylvania, d. 2015, New York.]

 In a portrait, you always leave part of yourself behind. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 A hundredth of a second here, a hundredth of a second there—even if you put them end to end, they still only add up to one, two, perhaps three seconds, snatched from eternity. 

Yousuf Karsh
[Photographer, b. 1908, Mardin, Armenia, d. 2002, Boston, Massachusetts.]

 I try to photograph people’s spirits and thoughts. As to the soul-taking by the photographer, I don’t feel I take away, but rather that the sitter and I give to each other. It becomes an act of mutual participation. 

Dieter Appelt
[Photographer and artist, b. 1935, Niemegk, Germany, lives in Berlin.]

 A snapshot steals life that it cannot return. A long exposure gives a form that never existed. 

Nadar (Gaspard-Félix Tournachon)
[Photographer, b. 1820, Paris, d. 1910, Paris.]

 According to Balzac’s theory, all physical bodies are made up entirely of layers of ghostlike images, an infinite number of leaflike skins laid on top of one another. Since Balzac believed man was incapable of making something material from an apparition—that is, creating something from nothing—he concluded that every time someone had his photograph taken, one of the spectral layers was removed from the body and transferred to the photograph. Repeated exposures entailed the unavoidable loss of subsequent ghostly layers, that is, the very essence of life. 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 I believe that photographs actually rob us of our memory. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 
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