Lillian Bassman
[Photographer and painter, b. 1917, Brooklyn, New York, d. 2012, New York.]

 I am completely tied up with softness, fragility, and the problems of a feminine world. 

Barbara Kruger
[Artist, b. 1945, Newark, New Jersey, lives in New York.]

 Is it possible to construct a way of looking which welcomes the presence of pleasure and escapes the deceptions of desire? How do we, as women and as artists, navigate through the marketplace that constructs and contains us? I see my work as a series of attempts to ruin certain representations and to welcome a female spectator into the audience of men. 

Susie Bright
[Writer, feminist, and activist, b. 1958, Arlington, Virginia, lives in Santa Cruz, California.]

 Seeing lesbian photography is just the tip of my radicalized clitoris. I have modeled for, commissioned, published, and fought for these pictures, and answered threats against them. I’ve seen the feminist movement bring these pictures to life, and I’ve seen that same movement try to suppress the liberating results. 

Shirin Neshat
[Artist, photographer, and filmmaker, b. 1957, Qazvin, Iran, lives in New York.]

 I find that through the study of women, you get to the heart—the truth—of the culture. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 since I became a photographer I always wanted to turn back the year. always wished I had a camera when I was a boy. fucking in the backseat, gangbanging with the pretty girls all the other girls in the neighborhood hated. 

Bettina Rheims
[Photographer, b. 1952, Neuilly-sur-Seine, France, lives in Paris.]

 I think that I first started to shoot naked women because I wanted my father to look at my images and father liked very pretty women. 

Pipilotti Rist
[Artist, b. 1962, Reinthal, Switzerland, lives in Zurich and Los Angeles.]

 Women are less interested in watching two people having sex than in understanding how and what these people are feeling when they are having sex. If you kiss someone, you want to know what the other person is feeling. So I want to find pictures that express what the other feels. 

Alfred Stieglitz
[Photographer and curator, b. 1864, Hoboken, New Jersey, d. 1946, New York.]

 If you can imagine photography in the guise of a woman and you’d ask her what she thought of Stieglitz, she’d say: He always treated me like a gentleman. 
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