Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I’m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility... My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you. (1923) 

John Divola
[Photographer, b. 1949, Los Angeles, lives in Los Angeles.]

 The beauty of photography is that is pulls you not only literally out into the world, but pulls your consciousness into a mode of observation that is really rewarding, almost addicting. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I really believe there are things nobody would see if I didn’t photograph them. 

Wynn Bullock
[Photographer, b. 1902, Chicago, Illinois, d. 1975, Monterey, California.]

 Mysteries lie all around us, even in the most familiar things, waiting only to be perceived. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 The best photos, the ones that are remembered, are the ones that have first passed through the person’s mind before being restored by the camera. 

Sylvia Plachy
[Photographer, b. 1943, Budapest, Hungary, lives in New York.]

 What makes you push the shutter has to do with seeking a kind of perfection, a harmony in the world. You are instinctively aware it’s there, but you’ve got to be completely alert and quick and so deeply awake that it moves you. 

Larry Fink
[Photographer, b. 1941, Brooklyn, New York, lives in Martins Creek, Pennsylvania.]

 My picture-making process is not so much about making a photograph as it is about paying extreme attention to what I’m most attracted to, what is drawing my interest. For the most part, I’m hyperstimulated at all times; my life is a massive run-on sentence of stimulation. 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 It’s important when photographing to see different things simultaneously. Because there is so little time in the photographic moment, it must be expanded by consciousness to let in as much as can be contained. 
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