Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 To see through, not merely with, the eye, to perceive with the inner eye, and by an act of choice to capture the essence of that perception. This is the very core of the creative process. 

Lars Tunbjörk
[Photographer, b. 1956, Borås, Sweden, d. 2015, Stockholm.]

 When I photograph now, I try to imagine that I’d never seen a place like this before. 

Elliott Erwitt
[Photographer, b. 1928, Paris, France, lives in New York.]

 Everything is there in front of us. If we knew what we were looking for, we’d see the great movements of tomorrow in the miniscule details of today. 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 It’s important when photographing to see different things simultaneously. Because there is so little time in the photographic moment, it must be expanded by consciousness to let in as much as can be contained. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 I really believe there are things nobody would see if I didn’t photograph them. 

Sylvia Plachy
[Photographer, b. 1943, Budapest, Hungary, lives in New York.]

 What makes you push the shutter has to do with seeking a kind of perfection, a harmony in the world. You are instinctively aware it’s there, but you’ve got to be completely alert and quick and so deeply awake that it moves you. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 The camera eye is the one in the middle of our forehead, combining how we see with what there is to be seen. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 The best photos, the ones that are remembered, are the ones that have first passed through the person’s mind before being restored by the camera. 
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