Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 What a landscape photographer traditionally tries to do is show what is past, present, and future at once. You want ghosts and the daily news and prophecy... It’s presumptuous and ridiculous. You fail all the time. 

Roni Horn
[Artist, b. 1955, New York, lives in New York and Iceland.]

 As is often said of photography, this photograph is a frozen moment. A frozen moment is not a moment at all. 

Paul Graham
[Photographer, b. 1956, Stafford, England, lives in New York.]

 ...a partial, but nonetheless astonishing description of the creative act at the heart of serious photography: nothing less than the measuring and folding of the cloth of time itself. 

Robert Frank
[Photographer and filmmaker, b. 1924, Zürich, Switzerland, lives in Mabou, Cape Breton, Nova Scotia, Canada, and New York.]

 It’s not the decisive moment. It’s not the beginning or end. It’s the middle. It’s more like a question. 

Paul Graham
[Photographer, b. 1956, Stafford, England, lives in New York.]

 Normally, photography offers these frozen shards of time where the world is ossified into a singular moment. I’ve struggled to get away from that brittle, crystalline notion by inviting time into the work, making it a quality that you feel and experience. 
 The “decisive moment” is bullshit. There are ten pictures before and ten pictures after every one of them: [Henri Cartier-Bresson] actually took thirty pictures of people leaping over that puddle. 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 Photography is the act of “fixing” time, not of “expressing” the world. The camera is an inadequate tool for extracting a vision of the world or of beauty. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 Whatever else a photograph may be about, it is always about time. 
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