Allen Ginsberg
[Poet and writer, b. 1926, Newark, New Jersey, d. 1997, New York.]

 The poignancy of the photograph comes from looking back to a fleeting moment in a floating world. The transitoriness is what creates the sense of the sacred. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 There is no doubt that my photographs have a very strong religious overtone, they are like twentieth century icons. When human beings are suffering, they tend to look up, as if hoping for salvation. And that’s when I press the button. 

André Bazin
[Film critic and theorist, b. 1918, Angers, France, d. 1958, Nogent-sur-Marne, Île-de-France, France.]

 Photography can strip from the world that spiritual dust and grime with which our eyes have covered it. 

Jerry Uelsmann
[Photographer, b. 1934, Detroit, Michigan, lives in Gainesville, Florida.]

 The goal of the artist is not to resolve life’s mysteries, but to deepen them. 

Abelardo Morell
[b. 1948, Havana, Cuba, lives in Brookline, Massachusetts.]

 I want my photographs to reflect a time when science, art, philosophy, and religion were closer brothers and sisters, as they were during Fox Talbot’s time. 

John Ruskin
[Artist, writer and poet, b. 1819, London, d. 1900, Coniston Water, England.]

 The greatest thing a human soul ever does in this world is to see something, and tell what it saw in a plain way... To see clearly is poetry, prophecy, and religion, all in one. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images. 

Jorge Luis Borges
[Writer, poet, and librarian, b. 1899, Buenos Aires, Argentina, d. 1986, Geneva, Switzerland.]

 Image is sorcery. 
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