George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 

Tim Page
[Photographer, b. 1944, Tunbridge Wells, Kent, lives in Brisbane, Australia.]

 What we [photojournalists] have going for us is compassion. In Vietnam, photography swayed public opinion, and it still can. It can make a difference. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism and metaphysics, trophy hunting—and careerism. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 You cannot walk on the water of hunger, misery, and death. You have to wade through to record them. 

Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 You must not trample on other people’s secret gardens. You must remember: to suggest is to create; to describe is to destroy. 
 The world I was trying to present was one where I would feel good, where people would be friendly, where I could find the tenderness I longed for. My photos were like a proof that such a world could exist. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 I frequently have sought out those who are in the least position to speak for themselves. By accident of birth, by accident of place—whoever, whatever, wherever—I am of their family. I can comment for them, if I believe in their cause, with a voice they do not possess. 

Rineke Dijkstra
[Photographer, b. 1959, Sittard, The Netherlands, lives in Amsterdam.]

 For me it is essential to understand that everyone is alone. Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else’s skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed. 
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