George Rodger
[Photojournalist, b. 1908, Hale, Cheshire, England, d. 1995, Smarden, Kent, England.]

 When I discovered that I could look at the horror of Belsen—4,000 dead and starving lying around—and think only of a nice photographic composition, I knew something had happened to me and it had to stop. 

Tim Page
[Photographer, b. 1944, Tunbridge Wells, Kent, lives in Brisbane, Australia.]

 What we [photojournalists] have going for us is compassion. In Vietnam, photography swayed public opinion, and it still can. It can make a difference. 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 For me it is not a detachment to take a picture. It’s a way of touching somebody—it’s a caress.... I think that you can actually give people access to their own soul. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 You cannot walk on the water of hunger, misery, and death. You have to wade through to record them. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 I frequently have sought out those who are in the least position to speak for themselves. By accident of birth, by accident of place—whoever, whatever, wherever—I am of their family. I can comment for them, if I believe in their cause, with a voice they do not possess. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track. 

Rineke Dijkstra
[Photographer, b. 1959, Sittard, The Netherlands, lives in Amsterdam.]

 For me it is essential to understand that everyone is alone. Not in the sense of loneliness, but rather in the sense that no one can completely understand someone else. I know very well what Diane Arbus means when she says that one cannot crawl into someone else’s skin, but there is always an urge to do so anyway. I want to awaken definite sympathies for the person I have photographed. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 The exposé, the compassion and outrage, of documentary fueled by the dedication to reform has shaded over into combinations of exoticism, tourism, voyeurism, psychologism and metaphysics, trophy hunting—and careerism. 
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