[Artist, b. 1939, San Francisco, lives in New York and Cape Breton Island, Nova Scotia, Canada.]
Most photographs take their cues from advertising, where the priority is high image content for an easy Gestalt reading.
[Photographer, b. 1923, Pittsburgh, Pennsylvania, d. 2013, New York.]
I don’t have a philosophy. I have a camera.
[Photographer, b. 1929, Brooklyn, New York, d. 2006, Garrison, New York.]
Photography is like life. What does it all mean? I don’t know, but you get an impression, a feeling... An impression of walking through the street, walking through the park, walking through life. I’m very suspicious of people who say they know what it means.
[Writer and critic, b. 1926, London, d. 2017, Paris.]
It is because the photographs carry no certain meaning in themselves, because they are like images in the memory of a total stranger, that they lend themselves to any use.
[Photographer, b. 1948, Baltimore, Maryland, lives in New York.]
Finding a photograph is often like picking up a piece from a jigsaw-puzzle box with the cover missing. There’s no sense of the whole. Each image is a mysterious part of something not yet revealed.
Ernest Cole (Ernest Levi Tsoloane Kole)
[Photographer, chronicler of Apartheid, b. 1940, Eersterust, South Africa, d. 1990, New York.]
I don’t just want to show new material just for the sake of showing it but I want it to be related in some way or another. So that the viewer walks away with a message in his head and not just with a head full of images.
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]
One should photograph objects, not only for what they are but for what else they are.
[Photographer, b. 1938, Biskovice, Moravia, Czechoslovakia, lives in Paris.]
I don’t like captions. I prefer people to look at my pictures and invent their own stories.