Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

Bill McKibben
[Writer, b. 1960, Palo Alto, California, lives near Lake Chanokaub, New York.]

 After a lifetime of nature shows and magazine photos, we arrive at the woods conditioned to expect splendor—surprised when the parking lot does not contain a snarl of animals attractively mating and killing each other. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 Color is vulgar, beauty is unimportant, and nature is trivial. 

John Steinbeck
[Writer, b. 1902, Salinas, California, d. 1968, Sag Harbor, New York.]

 No one has ever successfully painted or photographed a redwood tree. The feeling they produce is not transferable. 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment which the frame frames is an example of nature-as-representation, nature-as-sign. 

Edward Abbey
[Writer and Environmental Activist, b. 1927, Indiana, Pennsylvania, United States, d. 1989, Tucson, Arizona, United States.]

 Whenever I see a photograph of some sportsman grinning over his kill, I am always impressed by the striking moral and esthetic superiority of the dead animal to the live one. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I was living in Monterey, a place where the classic photographers—the Westons, Wynn Bullock and Ansel Adams—came for a privileged view of nature. But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centers, and gas stations and all the other unhealthy growth that flourished beside the highway. It was a landscape that no one else had much interest in looking at. Other than me. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 To photograph beautifully a choice vestigial remnant of natural landscape is not necessarily to do a great favor to its future.... It is difficult today for an ambitious young photographer to photograph a pristine snowcapped mountain without including the parking lot in the foreground as a self-protecting note of irony. 
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