Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Nature photography… that acknowledges what is wrong, is admittedly sometimes hard to bear—it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. 
 Many have asked, pointing incredulously toward a sweep of tract homes and billboards, why picture that? The question sounds simple, but it implies a difficult issue—why open our eyes anywhere but in undamaged places like national parks? 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 To photograph beautifully a choice vestigial remnant of natural landscape is not necessarily to do a great favor to its future.... It is difficult today for an ambitious young photographer to photograph a pristine snowcapped mountain without including the parking lot in the foreground as a self-protecting note of irony. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment which the frame frames is an example of nature-as-representation, nature-as-sign. 

Joel Meyerowitz
[Photographer, b. 1938, New York, lives in New York.]

 Arriving at the rim of this famous landmark, they shuffle about, searching for a sign that says “shoot here.” With one pre-set image labeled GRAND CANYON in their minds, blinding them to what lies below, they search for the one and only “right” spot to stand. 

Walker Evans
[Photographer, b. 1903, St. Louis, Missouri, d. 1975, New Haven, Connecticut.]

 ...nature photographs downright bore me for some reason or other. I think: “Oh, yes. Look at that sand dune. What of it?” 

Ruth Bernhard
[Photographer, b. 1905, Berlin, d. 2006, San Francisco.]

 The ground we walk on, the plants and creatures, the clouds above constantly dissolving into new formations—each gift of nature possessing its own radiant energy, bound together by cosmic harmony. 
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