Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Scenic grandeur is today sometimes painful. The beautiful places to which we journey for inspiration surprise us by the melancholy they can induce... Unspoiled places sadden us because they are, in an important sense, no longer true. 

Rosalind Krauss
[Writer, critic, and historian, b. 1941, Washington, D.C., lives in New York.]

 The frame announces that between the part of reality that was cut away and this part there is a difference; and that this segment which the frame frames is an example of nature-as-representation, nature-as-sign. 

Bill McKibben
[Writer, b. 1960, Palo Alto, California, lives near Lake Chanokaub, New York.]

 ... the constant flow of images undercuts the sense that there’s actually something wrong with the world. How can there really be a shortage of whooping cranes when you’ve seen a thousand images of them—seen ten times more images than there are actually whooping cranes left in the wild? 

Sally Mann
[Photographer, b. 1951, Lexington, Virginia, lives in Lexington.]

 Working in the inexhaustible natural pageant before me, I came to wonder if the artist who commands the landscape might in fact hold the keys to the secrets of the human heart: place, personal history, and metaphor. 

Paul Caponigro
[Photographer, b. 1932, Boston, Massachusetts, lives in Cushing, Maine.]

 Photography is a medium, a language through which I might come to experience directly the interaction between myself and nature. 

Emmet Gowin
[Photographer, b. 1941, Danville, Virginia, lives in Princeton, New Jersey.]

 [In nature] we may even glimpse the means with which to accept ourselves. Before nature, what I see does not truly belong to anyone; I know that I cannot have it, in fact, I’m not sure what I’m seeing. 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 I was living in Monterey, a place where the classic photographers—the Westons, Wynn Bullock and Ansel Adams—came for a privileged view of nature. But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centers, and gas stations and all the other unhealthy growth that flourished beside the highway. It was a landscape that no one else had much interest in looking at. Other than me. 

Man Ray (Emanuel Radnitsky)
[Artist, b. 1890, Philadelphia, Pennsylvania, d. 1976, Paris.]

 I do not photograph nature. I photograph my fantasy. 
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