André Kertész
[Photographer, b. 1894, Budapest, Hungary, d. 1985, New York.]

 Have confidence in the inventions and transformations of chance. 

Beaumont Newhall
[Photographer, writer, and historian, b. 1908, Lynn, Massachusetts, d. 1993, Santa Fe, New Mexico.]

 It is peculiar to photography that, by the extreme ease of its production, many accidentally interesting photographs are produced. 

Paolo Roversi
[Photographer, b. 1947, Ravenna, Italy, lives in Paris.]

 My studio is a place for chance, the dream, the imaginary to prevail. I give these forces as much space as I can. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Chance is always there. We all use it. The difference is a poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time. 

John Baldessari
[Artist, b. 1931, National City, California, lives in Venice, California.]

 Probably one of the worst things to happen to photography is that cameras have viewfinders. 

James Agee
[Writer, b. 1909, Knoxville, Tennessee, d. 1955, New York.]

 Many people, even some good photographers, talk of the “luck” of photography as if that were a disparagement. And it is true that luck is constantly at work. It is one of the cardinal creative forces in the universe, one which the photographer has unique equipment for collaborating with. And a photographer often shoots around a subject, especially one that is highly mobile and in continuous and swift development—which seems to me as much his natural business as it is for a poet who is really in the grip of his poem to alter and realter words in his line. It is true that most artists, though they know their own talent and its gifts as luck, work as well as they can against luck, and that in most good works of art, as in little else in creation, luck is either locked out or locked in and semidomesticated, or put to wholly constructive work; but it is peculiarly a part of the good photographer’s adventure to know where luck is most likely to lie in the stream, to hook it, and to bring it in without unfair play and without too much subduing it. Most good photographs, especially the quick and lyrical kind, are battles between the artist and luck. 

Robbert Flick
[Photographer, b. 1939, Amersfoort, Holland, lives in Los Angeles, California.]

 Serendipity plays an enormous role in my work. I create the possibilities for accidents to happen. 

John Waters
[Filmmaker and photographer, b. 1946, Baltimore, Maryland, lives in Baltimore.]

 The way I photograph... in many ways it’s directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it’s the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there’s just too much chance. And I never put it on pause, or use any of that fancy equipment. 
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