Matthew Brady
[Photographer, b. 1823, Warren County, New York, d. 1896, New York.]

 Results are uncertain even among the more experienced photographers. 

Robbert Flick
[Photographer, b. 1939, Amersfoort, Holland, lives in Los Angeles, California.]

 Serendipity plays an enormous role in my work. I create the possibilities for accidents to happen. 

André Breton
[Artist, writer, editor, and critic, b. 1896, Tinchebray, France, d. 1966, Paris, France.]

 Actually, it’s quite true that [Cartier-Bresson is] not waiting for anyone, since he’s not made any appointment, but the very fact that he’s adopting this ultra-receptive posture means that by this he wants to help chance along, how should I say, to put himself in a state of grace with chance, so that something might happen, so that someone might drop in. 

Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Photography is the only major art in which professional training and years of experience do not confer an insuperable advantage over the untrained and inexperienced—this for many reasons, among them the large role that chance (or luck) plays in the taking of pictures, and the bias toward the spontaneous, the rough, the imperfect. 

Harry Callahan
[Photographer, b. 1912, Detroit, Michigan, d. 1999, Atlanta, Georgia.]

 I sort of believe that a picture is like a prayer; you’re offering a prayer to get something, and in a sense it’s like a gift of God because you have practically no control—at least I don’t. 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 I swung my camera around and held it until I could guess that this was the peak of the action, and shot. I couldn’t positively say I had the picture. It’s something like shooting a football play; you don’t brag until it’s developed. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Dudley Andrew
[Writer, critic, and curator, lives in New Haven, Connecticut.]

 Everything in the photo is potentially significant, even and especially, that which has escaped the control of the photographer pointing the camera. 

Paolo Roversi
[Photographer, b. 1947, Ravenna, Italy, lives in Paris.]

 My studio is a place for chance, the dream, the imaginary to prevail. I give these forces as much space as I can. 
quotes 1-8 of 112
page 1 of 14 next page last page
display quotes