Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 The photographer must be absorbent—like a blotter, allow himself to be permeated by the poetic moment... His technique should be like an animal function... he should act automatically. 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Chance is always there. We all use it. The difference is a poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time. 

John Waters
[Filmmaker and photographer, b. 1946, Baltimore, Maryland, lives in Baltimore.]

 The way I photograph... in many ways it’s directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it’s the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there’s just too much chance. And I never put it on pause, or use any of that fancy equipment. 

Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 Let the lens rummage the gravel of chance and the unconscious. 

Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 Art and accident are one. Art accepts what it finds. 

Manuel Álvarez Bravo
[Photographer, b. 1902, Mexico City, d. 2002, Mexico City.]

 Throughout my life I’ve never pursued anything. I just let things pursue me... they just show up... This is the way I’ve lead my life, not just in photography, but in life. 

Dudley Andrew
[Writer, critic, and curator, lives in New Haven, Connecticut.]

 Everything in the photo is potentially significant, even and especially, that which has escaped the control of the photographer pointing the camera. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 You see something happening and you bang away at it. Either you get what you saw or you get something else—and whichever is better you print. 
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