Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 Poetic and speculative photographs can result if one works carefully and accurately, yet letting chance relationships have full play. 

Chris Marker
[Photographer and filmmaker, b. 1921, Neuilly-sur-Seine, Île-de-France, d. 2012, Paris.]

 ...after a certain quantity, photos apparently taken by chance, postcards chosen according to a passing mood, begin to trace an itinerary, to map the imaginary country that stretches out before us. 

Frederick Sommer
[Photographer, b. 1905, Angri, Italy, d. 1999, Prescott, Arizona.]

 Art and accident are one. Art accepts what it finds. 

Dudley Andrew
[Writer, critic, and curator, lives in New Haven, Connecticut.]

 Everything in the photo is potentially significant, even and especially, that which has escaped the control of the photographer pointing the camera. 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 I swung my camera around and held it until I could guess that this was the peak of the action, and shot. I couldn’t positively say I had the picture. It’s something like shooting a football play; you don’t brag until it’s developed. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Nan Goldin
[Photographer, b. 1953, Washington, D.C., lives in New York and Paris.]

 When you set up pictures you’re not at any risk. Reality involves chance and risk and diving for pearls. 

Martin Munkacsi
[Photographer, b. 1898, Kolozsvár, Hungary, (now Cluj-Napoca, Romania), d. 1963, New York.]

 Never pose your subjects. Let them move about naturally... All great photographs today are snapshots. (1935) 

Brassaï (Gyula Halász)
[Photographer, b. 1889, Brassó, Transylvania, Hungary (now Romania), d. 1984, Eze, Alpes-Maritimes, France.]

 Chance is always there. We all use it. The difference is a poor photographer meets chance one out of a hundred times and a good photographer meets chance all the time. 
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