Susan Sontag
[Writer, theorist, and critic, b. 1933, New York, d. 2004, New York.]

 Newer technology provides a nonstop feed: as many images of disaster and atrocity as we can make time to look at. 

Robert Smithson
[Artist, b. 1938, Rutherford, New Jersey, d. 1973, Amarillo, Texas.]

 A camera is wild in just about anybody’s hands, therefore one must set limits. But cameras have a life of their own. Cameras care nothing about cults or isms. They are indifferent mechanical eyes, ready to devour anything in sight. They are lenses of the unlimited reproduction. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. (1967) 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 The photograph suggests that our image of reality is made up of images. It makes explicit the domination of mediation. 

Bruce Mau
[Graphic designer and theorist,, b. 1959, Sudbury, Canada, lives in Toronto, Canada.]

 What is the focus of the new image infrastructure? Attention. It’s all designed for capturing, tracking, quantifying, manipulating, holding, buying, selling and controlling attention. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 If there is a common photographic dilemma, it lies in the fact that so much has been seen, so much has been “taken,” there appears to be less to find. The visible world, vast as it is, through overexposure has been devalued. 

Guy Debord
[Writer and theorist, b. 1931, Paris, d. 1994, Champot, Upper Loire, France.]

 The spectacle is not a collection of images; rather, it is a social relationship between people that is mediated by images. 
quotes 1-8 of 161
page 1 of 21 next page last page
display quotes