Tee Corinne
[Photographer and artist, b. 1943, St. Petersburg, Florida, d. 2006, Sunny Valley, Oregon.]

 The images we see, as a culture, help define and expand our dreams, our perceptions of what is possible. Pictures of who we are help us visualize who we can be. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 The photograph suggests that our image of reality is made up of images. It makes explicit the domination of mediation. 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 It has been done in oils, water colors, pastels, chalk and match sticks. A float based on it won a prize in a Rose Bowl parade, and the flag-raising has been re-enacted by children, by gymnasts... and as a part of the Orange Bowl pageant in Miami. It has been sculpted in ice and in hamburger. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 We are surrounded by pictures; we have an abundance of theories about them, but it doesn’t seem to do us any good. Knowing what pictures are doing, understanding them, doesn’t seem necessarily to give us power over them. 

Stephen Shore
[Photographer, b. 1947, New York, lives in New York.]

 Even in ordinary reproduction [photography] verges on facsimile. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 I think that nowadays there are more images in the world than world to be in the pictures. 

Barbara Kruger
[Artist, b. 1945, Newark, New Jersey, lives in New York.]

 Pictures and the words that mark or surround them seem to construct and contain us. From photos to movies, to TV, to home videos and computers, these pictures and words have the power to tell us who we are and who we aren’t, to dictate what we can and cannot be. But they also suggest that seeing is no longer believing and that what you see is not what you get. 

John Szarkowski
[Curator, critic, historian, and photographer, b. 1925, Ashland, Wisconsin, d. 2007, Pittsfield, Massachusetts.]

 The basic effect of modern mass media on photography has been to erode the creative independence and the accountability of the photographer who has worked for them. (1967) 
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