Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 It has been done in oils, water colors, pastels, chalk and match sticks. A float based on it won a prize in a Rose Bowl parade, and the flag-raising has been re-enacted by children, by gymnasts... and as a part of the Orange Bowl pageant in Miami. It has been sculpted in ice and in hamburger. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Bruce Mau
[Graphic designer and theorist,, b. 1959, Sudbury, Canada, lives in Toronto, Canada.]

 What is the focus of the new image infrastructure? Attention. It’s all designed for capturing, tracking, quantifying, manipulating, holding, buying, selling and controlling attention. 

Jean Baudrillard
[Writer and theorist, b. 1929, Reims, France, d. 2007, Paris.]

 You think you photograph a particular scene for the pleasure it gives. In fact it’s the scene that wants to be photographed. You’re merely an extra in the production. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 I think that nowadays there are more images in the world than world to be in the pictures. 

Marshall McLuhan
[Writer and theorist, b. 1911, Edmonton, Alberta, Canada, d. 1980, Toronto, Canada.]

 Photography turns people into things and their image into a mass consumer product. 

Andy Warhol
[Artist, b. 1928, Pittsburgh, Pennsylvania, d. 1987, New York.]

 [My vision of America is] a good vision. Actually the best is on TV. I wanted to shoot all the pictures off the TV. No one would have known the difference. 

Andy Grundberg
[Critic, curator, and educator, lives in Washington, D.C.]

 The photograph suggests that our image of reality is made up of images. It makes explicit the domination of mediation. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 If there is a common photographic dilemma, it lies in the fact that so much has been seen, so much has been “taken,” there appears to be less to find. The visible world, vast as it is, through overexposure has been devalued. 
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