George Trow
[Writer and critic, b. 1943, New York, d. 2006, Naples, Italy.]

 There was a time when photographers were thought to be socially secondary, and, hence, not dangerous. Lincoln was more important than Brady. It didn’t occur to anyone to worry about the manner in which a photograph was taken. 

Andy Warhol
[Artist, b. 1928, Pittsburgh, Pennsylvania, d. 1987, New York.]

 [My vision of America is] a good vision. Actually the best is on TV. I wanted to shoot all the pictures off the TV. No one would have known the difference. 

Susan Meiselas
[Photographer, b. 1948, Baltimore, Maryland, lives in New York.]

 If Instagram had been available when I was working in Nicaragua in 1978, I’m sure I would have wanted to use it as a way of reporting directly from the streets during the insurrection. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 I think that nowadays there are more images in the world than world to be in the pictures. 

Wright Morris
[Writer and photographer, b. 1910, Central City, Nebraska, d. 1998, Mill Valley, California.]

 If there is a common photographic dilemma, it lies in the fact that so much has been seen, so much has been “taken,” there appears to be less to find. The visible world, vast as it is, through overexposure has been devalued. 

Joe Rosenthal
[Photographer, b. 1911, Washington, D.C., d. 2006, Novato, California.]

 It has been done in oils, water colors, pastels, chalk and match sticks. A float based on it won a prize in a Rose Bowl parade, and the flag-raising has been re-enacted by children, by gymnasts... and as a part of the Orange Bowl pageant in Miami. It has been sculpted in ice and in hamburger. (On his photograph of U.S. Marines raising the American flag on Mt. Suribachi, Iwo Jima.) 

Marshall McLuhan
[Writer and theorist, b. 1911, Edmonton, Alberta, Canada, d. 1980, Toronto, Canada.]

 Once we have surrendered our senses and nervous systems to the private manipulation of those who would try to benefit from taking a lease on our eyes and ears and nerves, we don’t really have any rights left. 

Tee Corinne
[Photographer and artist, b. 1943, St. Petersburg, Florida, d. 2006, Sunny Valley, Oregon.]

 The images we see, as a culture, help define and expand our dreams, our perceptions of what is possible. Pictures of who we are help us visualize who we can be. 
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