Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 What’s the point of getting killed if you’ve got the wrong exposure? 

Luigi Ghirri
[Photographer, b. 1943, Scandiano, Italy, d. 1992, Reggio Emilia, Italy.]

 Certain maniacal aspects seem dangerous to me: photography as the aphasia of seeing, the antechamber for the anaesthetization of the glance, the need to be original and creative at all costs, the desperate search for the new and for a trademark… 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 ...people have always known, at least since Moses denounced the Golden Calf, that images were dangerous, that they can captivate the onlooker and steal the soul. 

Arnold Genthe
[Photographer, b. 1869, Berlin, Germany, d. 1942, New York.]

 The tremendous development of the camera in recent years has been remarkable. Now almost anyone can take pictures, and most of them are doing it. But it is rather like giving a 6-year-old a pistol. (1937) 

Edmundo Desnoes
[Writer, b. 1930, Havana, Cuba, lives in New York.]

 The richness of our contemporary visual world must be seen as a danger. It is an overwhelming and oppressive world. A world that manifests itself fundamentally through the image is only a few steps from totalitarian manipulation. 

Martine Franck
[Photographer, b. 1938, Antwerp, Belgium, d. 2012, Paris.]

 My grandfather killed himself falling off the dike in Ostend while photographing my two cousins. This can happen so easily when looking through a lens: for a split second nothing else exists outside the frame. 

Martha Rosler
[Artist, b. 1943, Brooklyn, New York, lives in New York.]

 Documentary testifies, finally, to the bravery or (dare we name it?) the manipulativeness and savvy of the photographer, who entered a situation of physical danger, social restrictedness, human decay, or combinations of these and saved us the trouble. 

Edmundo Desnoes
[Writer, b. 1930, Havana, Cuba, lives in New York.]

 Images, the visual power of present-day capitalism, like the ritual constructions of ancient Egypt, are refined ways of inhibiting and crushing man. 
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