Arnold Genthe
[Photographer, b. 1869, Berlin, Germany, d. 1942, New York.]

 The tremendous development of the camera in recent years has been remarkable. Now almost anyone can take pictures, and most of them are doing it. But it is rather like giving a 6-year-old a pistol. (1937) 

James Nachtwey
[Photographer, b. 1948, Syracuse, New York, lives in New York.]

 You are never freer than in that moment when you decide to expose yourself to sniper fire. 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 I’m like an old junkie, in a way. You don’t stick syringes in your arm—you go straight for the most important part of your body, the brain. You are destroying it the moment you go to your first war. 
 I felt I had seen so much horror that it was likely to destroy me…. Yet… I cannot do without the head-on collision with life I have when I am working. 

Robert Morris
[Artist and theorist, b. 1931, Kansas City, Missouri, lives in New York.]

 There is probably no defense against the malevolent powers of the photograph to convert every visible aspect of the world into a static, consumable image. 

Robert Capa (Endre Ernő Friedmann)
[Photographer, b. 1913, Budapest, Hungary, d. 1954, Thai Binh, Vietnam.]

 I had it bad. The empty camera trembled in my hands. It was a new kind of fear shaking my body from toe to hair, and twisting my face. (Remembrance of landing on Omaha Beach, D-Day.) 

Bill McKibben
[Writer, b. 1960, Palo Alto, California, lives near Lake Chanokaub, New York.]

 ... the constant flow of images undercuts the sense that there’s actually something wrong with the world. How can there really be a shortage of whooping cranes when you’ve seen a thousand images of them—seen ten times more images than there are actually whooping cranes left in the wild? 

Donald McCullin
[Photographer, b. 1935, Finsbury Park, London, lives in Somerset, England.]

 You cannot walk on the water of hunger, misery, and death. You have to wade through to record them. 
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