Robbert Flick
[Photographer, b. 1939, Amersfoort, Holland, lives in Los Angeles, California.]

 The specifics of location are immaterial; all photographs after all are fictive narratives that play on memory and potential empathy. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 I use photography to help me explain my experiences to myself. 

Sebastião Salgado
[Photographer, b. 1944, Aimores, Minas Gerias, Brazil, lives in Paris and Brazil.]

 I’m not an artist. An artist makes an object. Me, it’s not an object, I work in history, I’m a storyteller. 

Robert Mapplethorpe
[Photographer, b. 1946, Floral Park, Long Island, d. 1989, Boston, Massachusetts.]

 I wasn’t setting out to make a statement, that isn’t the way I work. The statement grows out of what I do. 

W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 I always fought hard against packaging a story so that all things seem to come to and end at the end of the story. I always wanted to leave it so that there is a tomorrow. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture—the “discovery” of found narratives—deeply compelling. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 The world is full of fictional characters looking for their stories. 

Wim Wenders
[Artist and filmmaker, b. 1945, Düsseldorf, lives in Berlin.]

 Every photo, every “once” in time is also the beginning of a story “once upon a time.” Every photo is the first frame of a movie. 
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