Robert Doisneau
[Photographer, b. 1912, Gentilly, Val-de-Marne, France, d. 1994, Montrouge, France.]

 I’m not that sure of myself. I start off with a story. I wait for the moment that fills me with wonder. Or I wait for some kind of miracle that that will always happen. 

Richard Misrach
[Photographer, b. 1949, Los Angeles, lives in San Francisco.]

 In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture—the “discovery” of found narratives—deeply compelling. 

Garry Winogrand
[Photographer, b. 1928, New York, d. 1984, Tijuana, Mexico.]

 I think that there isn’t a photograph in the world that has any narrative ability... They do not tell stories—they show you what something looks like. To a camera. 

Robbert Flick
[Photographer, b. 1939, Amersfoort, Holland, lives in Los Angeles, California.]

 The specifics of location are immaterial; all photographs after all are fictive narratives that play on memory and potential empathy. 

Hilla Becher
[Photographer, b. 1934, Potsdam, d. 2015, Düsseldorf.]

 One just has to select the right objects and fit them into the picture precisely, then they tell their own story all by themselves. 

Henry James
[Writer, b. 1843, New York, d. 1916, Rye, England.]

 Every good story is of course both a picture and an idea, and the more they are interfused the better the problem is solved. 

Paolo Pellegrin
[Photographer, b. 1964, Rome, lives in Paris.]

 I’m more interested in a photography that is “unfinished”—a photography that is suggestive and can trigger a conversation or dialogue. There are pictures that are closed, finished, to which there is no way in. 

Larry Clark
[Photographer and filmmaker, b. 1943, Tulsa, Oklahoma, lives in New York.]

 ... I wanted to be a storyteller, tell a story. Which I hate to even admit to now, because I hate photojournalism so badly. 
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