Minor White
[Photographer, writer, and theorist, b. 1908, Minneapolis, Minnesota, d. 1976, Cambridge, Massachusetts.]

 The camera is first a means of self-discovery and a means of self-growth. The artist has one thing to say—himself. 

Neil Postman
[Writer and media critic, b. 1931, New York, d. 2003, Queens, New York.]

 By itself photography cannot deal with the unseen, the remote, the internal, the abstract, it does not speak of “Man,” only of “a man”; not of “Tree,” only “a tree.” 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 I think that nowadays there are more images in the world than world to be in the pictures. 

James Welling
[Photographer, b. 1951, Hartford, Connecticut, lives in Los Angeles.]

 It’s not that I don’t care about content, but content is not the only way a photograph has meaning. 

André Bazin
[Film critic and theorist, b. 1918, Angers, France, d. 1958, Nogent-sur-Marne, Île-de-France, France.]

 All the arts are based on the presence of man, only photography derives an advantage from his absence. 

Tod Papageorge
[Photographer, b. 1940, Portsmouth, New Hampshire, lives in New Haven, Connecticut.]

 [The photograph] is fabricated out of the unfabricated dross of passing life (while paradoxically still trading on the indexical heft of that dross). 

Lewis Baltz
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]

 The world was already in the condition of art, waiting to be noticed as such. As Robert Irwin famously said, “I feel like a man sitting beside a river selling water.” 
 I use a high-art photographic technique to present views of nothing, that is, of no special interest per se. 
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