Peter Conrad
[Critic, b. 1948, Hobart, Tasmania, lives in Oxford, England.]

 The camera is a killing chamber, which speeds up the time it claims to be conserving. Like coffins exhumed and prised open, the photographs put on show what we were and what we will be again. 

Italo Calvino
[Writer, b. 1923, Santiago de la Vegas, Cuba, d. 1985, Siena, Italy.]

 Whatever person you decide to photograph, or whatever thing, you must go on photographing it always, exclusively, at every hour of the day and night. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 Pictures of pain are not necessarily painful pictures, and this is why our response to them fluctuates between shame and delight, horror and pleasure. 

Tom Wolfe
[Writer, b. 1931, Richmond, Virginia, lives in New York.]

 [Richard Avedon] began standing people up against white no-seam paper and lighting their faces so that every wen, hickey, zit, whitehead, blackhead, goober, acne-crater, beard follicle, nose hair, ear bristle, crow’s foot, wattle, mold, eye bag, and liver spot stood out like a tumor, and the poor grey souls looked like pustular ruins, sad, spent, demoralized. Ah, Lord, you never get out of this world alive! This was serious work. 

Muhammad Ali (Cassius Clay)
[Boxer, b. 1942, Louisville, Kentucky, d. Scottsdale, Arizona.]

 Emmett Till and I were about the same age. A week after he was murdered... I stood on a corner with a gang of boys, looking at pictures of him in the black newspapers and magazines. In one, he was laughing and happy. In the other, his head was swollen and bashed in, his eyes bulging out of their sockets, and his mouth twisted and broken... I couldn’t get Emmett Till out of my mind, until one evening I thought of a way to get back at white people for his death. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I thought New York had it coming, that it needed a kick in the balls. When I returned to New York, I wanted to get even. Now I had a weapon, photography. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 [With my photographs] you have a [single, forever fixed] moment and my particular angle of vision. My tyrannical condition, as it were, is that I prescribe your vision. 

James Agee
[Writer, b. 1909, Knoxville, Tennessee, d. 1955, New York.]

 Walker [Evans] setting up the terrible structure of the tripod crested by the black square heavy head, dangerous as that of a hunchback, of the camera; stooping beneath cloak and cloud of wicked cloth, and twisting buttons; a witchcraft preparing, colder than keenest ice, and incalculably cruel. (On Walker Evans photographing three tenant farmer families in Hale County, Alabama, 1936) 
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