Philip Jones Griffiths
[Photojournalist, b. 1936, Rhuddian, Wales, d. 2008, London.]

 I attempt to channel my anger into the tip of my forefinger as I press the shutter. 

Lucy Lippard
[Critic and writer, b. 1936, New York, lives in Galisteo, New Mexico.]

 The camera was another weapon in the wars of domination. 

Ron Galella
[Photographer, b. 1931, Bronx, New York, lives in New York.]

 I got in my car and followed [Marlon Brando] down to Chinatown, and got about twelve shots. Brando called me over and said, “What else do you want that you don’t have already?” And I said, “I’d like a picture without the sunglasses.” He said no and punched me right in the jaw, It was so fast I didn’t see it coming. Blood was gushing out of my mouth. I drove to Bellevue. The jawbone and five teeth were broken... To this day he has scars on his knuckles from my teeth. 

Gordon Parks
[Photographer and filmmaker, b. 1912, Fort Scott, Kansas, d. 2006, New York.]

 You have a 45mm automatic pistol on your lap, and I have a 35mm camera on my lap, and my weapon is just as powerful as yours. (To Black Panther militant Eldridge Cleaver) 

Nastassja Kinski
[Model and actress, b. 1959, West Berlin, Germany, lives in Los Angeles and Europe.]

 When I cannot get that moment of truth where you feel yourself opening up like a flower, I absolutely loathe the bloody camera. I can just feel this black hole eyeing me, sucking me in, and I feel like smashing it to smithereens. 

Duane Michals
[Photographer, b. 1932, McKeesport, Pennsylvania, lives in New York.]

 Get Weston off your back, forget Arbus, Frank, Adams, White, don’t look at photographs. Kill the Buddha. 

William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 Sometimes, I’d take shots without aiming, just to see what happened. I’d rush into crowds—bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there’s an opening, and bang! Right on the button. It’s a fantastic feeling. 

William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 Pictures of pain are not necessarily painful pictures, and this is why our response to them fluctuates between shame and delight, horror and pleasure. 
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