William Klein
[Photographer, b. 1928, New York, lives in Paris.]

 I thought New York had it coming, that it needed a kick in the balls. When I returned to New York, I wanted to get even. Now I had a weapon, photography. 
 Sometimes, I’d take shots without aiming, just to see what happened. I’d rush into crowds—bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there’s an opening, and bang! Right on the button. It’s a fantastic feeling. 

Edmundo Desnoes
[Writer, b. 1930, Havana, Cuba, lives in New York.]

 Images, the visual power of present-day capitalism, like the ritual constructions of ancient Egypt, are refined ways of inhibiting and crushing man. 

Pierre Klossowski
[Writer, artist, "but first, foremost, and always, a monomaniac", b. 1905, Paris, d. 2001, Paris.]

 The very idea of the nude is only a neutralization of a primitive and violent act. 

Weegee (Usher Fellig)
[Photographer, b. 1899, Zlothew near Lemberg, Austrian Galicia (now Zolochiv, Ukraine), d. 1968, New York.]

 I had so many unsold murder pictures lying around my room... I felt as if I were renting out a wing of the City Morgue. 

Thomas Demand
[Photographer, b. 1964, Munich, Germany, lives in Los Angeles.]

 [With my photographs] you have a [single, forever fixed] moment and my particular angle of vision. My tyrannical condition, as it were, is that I prescribe your vision. 

Edmundo Desnoes
[Writer, b. 1930, Havana, Cuba, lives in New York.]

 Photographs are detonators. They explode in us. We are the gaze as well as the gazed-at. The observer and the observed. 

Andres Serrano
[Artist, b. 1950, New York, lives in New York.]

 There’s nothing wrong with provocative art work: I even look forward to the day when I can take pictures which will disturb even me. 
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