Norman Mailer
[Writer, b. 1923, Long Branch, New Jersey, d. 2007, New York.]

 Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. 

Diane Arbus
[Photographer, b. 1923, New York, d. 1971, New York.]

 Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.
 

Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 The final strength in really great photographs is that they suggest more than just what they show literally. 

Jean François Millet
[Artist, b. 1814, Gruchy, France, d. 1875, Barbizon, France.]

 A photograph is analogous to a plaster cast taken from life, which is always inferior to a good statue. 

Pieter Hugo
[Photographer, b. 1976, Johannesburg, South Africa, lives in Cape Town.]

 Photographs are like children, they grow, go about the world and no longer belong to you. 

Maggie Steber
[Photographer, b. 1949, born in Electra, Texas, lives in Miami, Florida.]

 ... respect is the most important thing you put into your camera. It’s like slicing off a little piece of your heart and putting it in with the film. 

Clement Greenberg
[Critic, b. 1909, New York, d. 1994, New York.]

 ...there is about him and some of his disciples too much art with a capital A, and too many swans in his park are only geese. (1942, on Alfred Stieglitz) 

Mario Sorrenti
[Photographer, b. 1971, Naples, Italy, lives in New York.]

 Now I love the act of creating a new image. When everything comes together, it feels like ecstasy. It’s like a climax. 
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