[Photographer, b. 1946, Brooklyn, New York, d. 2009, Greenbrae, California.]
Like a ventriloquist who laughs at his dummy’s jokes, I keep trying to make photographs that seduce me into believing in the image—all the time knowing better, but believing anyway.
[Photographer, b. 1945, Newport Beach, California, d. 2014, Paris.]
I believed it was necessary to investigate photography, dismantle it, jettison all the non-essential components, and begin again with a stripped down but more powerful idea of what is, or could be “photographic.”
[Photographer, b. 1941, Brooklyn, New York, lives in Martins Creek, Pennsylvania.]
[Photography is] the idea of the transformative merger between you and the person you are seeing, that you somehow try to enter their form, their skin, their mass, their muscle, and potentially, possibly, their soul.
[Photographer, writer, and curator, b. 1930, Jamaica, New York, d. 2016, Rochester, New York.]
Photography has achieved an unprecedented mirroring of the things in our culture. We have pictured so many aspects and objects of our environment in the form of photographs (motion pictures and television) that the composite of these representations has assumed the proportions and identity of an actual environment.
Rankin (John Rankin Waddell)
[Photographer, b. 1966, Glasgow, Scotland, lives in London.]
At the end of the day, photography is ninety-nine percent business, connections, and politics and one percent creativity.
[Artist, b. 1946, Boston, Massachusetts, d. 2015, Los Angeles.]
I will be shot with a rifle at 7:45 P.M. I hope to have some good photos.
[Photographer, b. 1949, Los Angeles, lives in Los Angeles.]
The beauty of photography is that is pulls you not only literally out into the world, but pulls your consciousness into a mode of observation that is really rewarding, almost addicting.
[Artist, b. 1940, Monroe, Washington, lives in New York.]
The thing that interests me about photography, and why it’s different from all other media, is that it’s the only medium in which there is even the possibility of an accidental masterpiece.