Chris Marker
[Photographer and filmmaker, b. 1921, Neuilly-sur-Seine, Île-de-France, d. 2012, Paris.]

 And always the animals

from each trip
you bring back
a gaze
a pose

a gesture
that points
to the truest of humanity
better
than images
of humanity itself
 

Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 Until a few years ago, I was able to stave off an awareness that there is not an ounce of beauty in the world, and that humanity is a thing of extreme hideousness. So I could shoot and believe in something. (1972) 

Martin Parr
[Photographer, b. 1952, Epson, Surrey, England, lives in Bristol and London, England.]

 Everyone is a photographer now, remember. That’s the great thing about photography. 

Susie Linfield
[Writer and critic, lives in New York.]

 Photographs illuminate the terribly damaged family of man to which, I’m afraid, we all belong. 

Douglas Huebler
[Photographer and artist, b. 1924, Ann Arbor, Michigan, d. 1997, Truro, Massachusetts.]

 Throughout the artist’s lifetime he will photographically document, to the extent of his capacity, the existence of everyone alive. (Proposal) 

André Bazin
[Film critic and theorist, b. 1918, Angers, France, d. 1958, Nogent-sur-Marne, Île-de-France, France.]

 All the arts are based on the presence of man, only photography derives an advantage from his absence. 

Roland Barthes
[Writer, critic, and theorist, b. 1915, Cherbourg, d. 1980, Paris.]

 I am the reference of every photograph, and this is what generates my astonishment in addressing myself to the fundamental question: why is it that I am alive here and now? 

Dziga Vertov
[Artist and filmmaker, b. 1896, Bialystok, d. 1954, Moscow.]

 I take from one person the strongest and deftest hands, from another I take the strongest and swiftest legs, from a third the most beautiful and expressive head and I create a new, perfect man in montage. 
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