Edward Steichen
[Photographer and curator, b. 1879, Luxembourg, Germany, d. 1973, West Redding, Connecticut.]

 Every photograph is a fake from start to finish. 
 No photographer is as good as the simplest camera. 
 Every other artist begins [with] a blank canvas, a piece of paper... the photographer begins with the finished product. 
 It is an error common to many artists, [who] strive merely to avoid mistakes, when all our efforts should be to create positive and important work. Better positive and important with mistakes and failures than perfect mediocrity. 
 Once you really commence to see things, then you really commence to feel things. 
 If it were possible for any one person or group of persons to go through a photographic finishing plant’s work at the end of a day, you could probably pull out the most extraordinary photographic exhibition we've ever seen. On almost any subject. The trouble is to find the things. 
 Long before the birth of a word language the caveman communicated by visual images. The invention of photography gave visual communication its most simple, direct, universal language. (1960) 
 Dangerously close to snapshots but have collective impact. Maybe show group in show. Buy 3 at $10 each. (1961 note on Garry Winogrand photographs by Steichen, then director of photography at Museum of Modern Art, New York.) 
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