Sebastião Salgado
[Photographer, b. 1944, Aimores, Minas Gerias, Brazil, lives in Paris and Brazil.]

 There comes a moment when it is no longer you who takes the photograph, but receives the way to do it quite naturally and fully. 
 I’m not an artist. An artist makes an object. Me, it’s not an object, I work in history, I’m a storyteller. 
 You photograph with all your ideology. 
 I can be an artist a posteriori, not a priori. If my pictures tell the story, our story, human story, then in a hundred years, then they can be considered an art reference, but now they are not made as art. I’m a journalist. My life’s on the road, my studio is the planet. 
 When you work fast, what you put in your pictures is what your brought with you—your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him. 
 What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. 
 Everything that happens in the world must be shown and people around the world must have an idea of what’s happening to the other people around the world. I believe this is the function of the vector that the documentary photographer must have, to show one person’s existence to another. 
 I don’t want anyone to appreciate the light or the palette of tones. I want my pictures to inform, to provoke discussion—and to raise money. 
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