W. Eugene Smith
[Photographer, b. 1918, Wichita, Kansas, d. 1978, Tucson, Arizona.]

 ... and each time I pressed the shutter release it was a shouted condemnation hurled with the hope that the picture might survive through the years, with the hope that they might echo through the minds of men in the future—causing them caution and remembrance and realization. 
 I didn’t write the rules. Why would I follow them? 
 I can’t stand these damn shows on museum walls with neat little frames, where you look at the images as if they were pieces of art. I want them to be pieces of life. 
 I try to take what voice I have and I give it to those who don’t have one at all. 
 With considerable soul searching, that to the utmost of my ability, I have let truth be the prejudice. 
 In printing the photographs of the white-gowned Klan members I ran into considerable difficulty. There were several with uncovered faces and these faces were vividly dark in comparison to the white-white of the gowns that it was almost impossible to keep them from appearing black. I am terribly sorry. (Apology to his editor about images from his 1951 photo essay on the Ku Klux Klan in North Carolina.)  
 The journalistic photographer can have no other than a personal approach; and it is impossible for him to be completely objective. Honest—yes. Objective—no. 
 It’s not a matter of looking, it’s a matter of seeing. (Quoted by photographer Edouard Boubat) 
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