Errol Morris
[Documentary filmmaker, b. 1948, Hewlett, New York, lives in Cambridge, Massachusetts.]

 There’s this crazy thinking that style guarantees truth. You go out with a hand-held camera, use available light, and somehow the truth emerges. 
 All alone—shorn of context, without captions—a photograph is neither true nor false…. For truth, properly considered, is about the relationship between language and the world, not about photographs and the world. 
 What is it that angers us?... We have been tricked. In essence, we have been lied to. The problem is not that the photograph has been manipulated, but that we have been manipulated by the photograph. 
 They say seeing is believing, but the opposite is true. Believing is seeing. 
 Photographs attract false beliefs the way flypaper attracts flies. 
 If you want to trick someone with a photograph, there are lots of easy ways to do it. You don’t need Photoshop. You don’t need sophisticated digital photo-manipulation. You don’t need a computer. All you need to do is change the caption. 
 People often trust low-res images because they look more real. But of course they are not more real, just easier to fake… You never see a 10-megapixel photograph of Big Foot or the Abominable Snowman or the Loch Ness Monster. 
 Photography can lead us astray, we can be tricked by ocular proof. And photography—and I believe this is the right verb—can entice us into error. 
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