William J. T. Mitchell
[Writer, theorist, and architect, b. 1944, Melbourne, Australia, lives in Cambridge, Massachusetts.]

 We are surrounded by pictures; we have an abundance of theories about them, but it doesn’t seem to do us any good. Knowing what pictures are doing, understanding them, doesn’t seem necessarily to give us power over them. 
 ...people have always known, at least since Moses denounced the Golden Calf, that images were dangerous, that they can captivate the onlooker and steal the soul. 
 Exile is a series of photographs without texts. 
 The essential characteristic of digital information is that it can be manipulated easily and very rapidly by computer... Computational tools for transforming, combining, altering, and analyzing images are as essential to the digital artist as brushes and pigments to a painter. 
 Photography is and is not a language; language also is and is not a “photography.” 
 ...the fear of the image, the anxiety that the “power of images” may finally destroy even their creators and manipulators, is as old as image-making itself. 
 Pictures of pain are not necessarily painful pictures, and this is why our response to them fluctuates between shame and delight, horror and pleasure. 
 The myth of digital photography has things exactly upside down. Instead of making photography less credible, less legitimate, digitization has produced a general “optimization” of photographic culture, one in which better and better simulations of the best effects of realism and informational richness in traditional photography have become possible. 
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