Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 A single photograph contains different images. 
 The crushing force of time is before my eyes, and I myself try to keep pressing the shutter release of the camera. 
 Making a definitive declaration of intent or meaning kills the photograph. 
 Photography is the act of “fixing” time, not of “expressing” the world. The camera is an inadequate tool for extracting a vision of the world or of beauty. 
 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 
 I wanted to go to the end of photography. 
 If you were to ask me to define a photograph in a few words, I would say it is “a fossil of light and time.” 
 Until a few years ago, I was able to stave off an awareness that there is not an ounce of beauty in the world, and that humanity is a thing of extreme hideousness. So I could shoot and believe in something. (1972) 
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