Daido Moriyama
[Photographer, b. 1938, Ikeda-cho, Osaka, Japan, lives in Tokyo.]

 I wanted to go to the end of photography. 
 A single photograph contains different images. 
 The crushing force of time is before my eyes, and I myself try to keep pressing the shutter release of the camera. 
 Until a few years ago, I was able to stave off an awareness that there is not an ounce of beauty in the world, and that humanity is a thing of extreme hideousness. So I could shoot and believe in something. (1972) 
 If an image is good, it is brought back to life by the feelings of the viewer. 
 When I take photographs, my body inevitably enters a trancelike state. Briskly weaving my way through the avenues, every cell in my body becomes as sensitive as radar, responsive to the life of the streets... If I were to give it words, I would say: “I have no choice... I have to shoot this... I can’t leave this place for another’s eyes... I have to shoot it... I have no choice.” An endless, murmuring refrain. 
 [My] photos are often out of focus, rough, streaky, warped, etc. But if you think about it, a normal human being will in one day perceive an infinite number of images, and some of them are focused upon, others are barely seen out of the corner of one’s eye. 
 If you were to ask me to define a photograph in a few words, I would say it is “a fossil of light and time.” 
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