John Loengard
[Photographer, editor, and critic, b. 1934, New York, lives in New York.]

 There really is no moment. The picture is the moment. 
 A Ming vase can be well-designed and well-made and is beautiful for that reason alone. I don’t think this can be true for photography. Unless there is something a little incomplete and a little strange, it will simply look like a copy of something pretty. We won’t take an interest in it. 
 Usually I think if there is something imperfect in a photograph it makes the picture more real. Photographs that are slick, smooth, and perfect seem less honest to me. 
 Working alone on stories, I began to feel the anonymity of motels on interstate highways reached by jet planes and rental cars. It was hard to have a good time, and the only way I could make the loneliness excusable was by taking pictures I thought were very good, even valuable. 
 To understand photographs, I believe you have to understand that the camera just shows what it shows. Photography may be moving, exciting, compassionate, or clever. But the camera cannot lie. Neither can a slide rule, a balance. If you want to lie, you have to do it with words. 
 I wanted to make... flat pictures that had depth; to find a picture by chance, yet have some control over it. 
 I don’t think I have become more skillful a technician over time. I think I have become more skillful at finding pictures that fit a very simple technique... You have to learn what you can do well... My pictures reflect the fact that I’m trying as hard as I can, and I can’t do anything else. 
 The world doesn’t happen in moments. The camera points at the world and the shutter opens and closes and turns the three-dimensional world into a two-dimensional image and the image is the reality you’re dealing with. The picture and the moment are synonymous and can never be repeated. 
quotes 1-8 of 19
page 1 of 3 next page last page
display quotes