Clarence John Laughlin
[Photographer, b. 1905, Lake Charles, Louisiana, d. 1985, New Orleans, Louisiana.]

 As a whole, I am interested in the symbolic, rather than the literal use of the camera. 
 Let us see as steadily and completely as possible the realities of our age: the wasted lives, the scattered and misused resources (human and material), the steel magic of the misdirected machinery, the mad clockwork tragedy of it all. 
 The mystery of light [and] the enigma of time form the twin pivots around which all my work revolves. In addition... my work attempts to create a mythology for our contemporary world. 
 Everything that I see must become personal; otherwise, it is dead and mechanical. Our only chance to escape the blight of mechanization, of acting and thinking alike, of the huge machine which society is becoming, is to restore life to all things through the saving and beneficent power of the human imagination. 
 ... dissatisfaction with one’s self and dissatisfaction with the world—is necessary—it is one of the prime things that keeps the artist going on—that drives him—happiness, as such, must come in between times, as best it can. 
 I quite agree with you that the photographer who produces a photograph which is merely technically good, owes more to the discoveries of the laboratory technicians than to himself. However, the imagination transcends all technical perfection, and sometimes even converts a technical disadvantage to a further advantage. 
 It is this strange fusion of psychological factors that excites me... All buildings, all cities that have been greatly lived, that have been greatly dreamed on, and that extend far through time—have this secret life. 
 ... I frequently attempt to show in my work, in various ways, the unreality of the “real” and the reality of the “unreal.” This may result, at times, in some disturbing effects. But art should be disturbing; it should make us both think and feel; it should infect the subconscious as well as the conscious mind; it should never allow complacency nor condone the status quo. 
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