[Photographer, b. 1960, Kaiserslautern, Germany, lives in New York.]
The first time I created a camera obscura, after I had realized how long I had to sit in there to adjust my eyes to the darkness, to see the projection, which is about 20 or 30 minutes—I thought I’d seen God.
My way of working is very hands-off. I install the apparatus of observation, the camera, and then endure the process of observation and record whatever happens. The work is essentially about the passage of time, not about ideas of representation.