Henri Cartier-Bresson
[Photographer and painter, b. 1908, Chanteloup, France, d. 2004, Paris.]

 The world is going to pieces and people like Adams and Weston are photographing rocks! (1930s) 
 Photography has not changed since its origin except in its technical aspects, which for me are not a major concern. 
 Actually, I’m not all that interested in the subject of photography. Once the picture is in the box, I’m not all that interested in what happens next. Hunters, after all, aren’t cooks. 
 I’m not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It’s drowning yourself, dissolving yourself and then sniff, sniff, sniff—being sensitive to coincidence. You can’t go looking for it; you can’t want it, or you won’t get it. First you must lose your self. Then it happens. 
 As photojournalists we supply information to a world that is overwhelmed with preoccupations and full of people who need the company of images... We pass judgment on what we see, and this involves an enormous responsibility. 
 The only thing about photography which interests me is the aim, the taking aim. 
 Time runs and flows and only our death succeeds in catching up with it. Photography is a blade which, in eternity, impales the dazzling moment. 
 Your first 10,000 photographs are your worst. 
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