Gregory Crewdson
[Photographer, b. 1962, Brooklyn, New York, lives in New Haven Connecticut.]

 … in this age of Instagram, and pictures on cell phones, and social media, it’s a real challenge to think of the photograph still meaning something important. 
 ... I’m interested in using the iconography of nature and the American landscape as surrogates or metaphors for psychological anxiety, fear or desire. 
 All pictures are autobiographical, yet they’re telling us everything and nothing about the photographer. 
 Photography is a lonely endeavor, and I think all photographers are in one way or another drawn to the medium by kind of an alienated viewpoint. 
 …the photograph is still and frozen. From day one, I have been interested in taking that limitation and trying to find the strength in it—like a story that is forever frozen in between moments, before and after, and always left as a kind of unresolved question. 
 Originally, one of the reasons I was drawn to photography, as opposed to painting or sculpture or installation, is that of all the arts it is the most democratic, in so far as it’s instantly readable and accessible to our culture. Photography is how we move information back and forth. 
 Every artist has a central story to tell, and the difficulty, the impossible task, is trying to present that story in pictures. 
 All my pictures are very voyeuristic, but ultimately I’m looking at what lurks in my own interior. I make photographs because I want to answer the question of what propels me to do the things that I do. But that always remains a mystery. 
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