Alex Webb
[Photographer, b. 1952, San Francisco, lives in Brooklyn, New York.]

 ... the possibility of one particular photographer’s pictures lying around the corner is never realized until the photographer is there. It’s one of the enigmas of photography. 
 I work extremely intuitively. I wander, I respond. Am I aware of certain elements rationally at times? Sure. But I think that often when I am more aware of them, it usually means that the picture falls flat. 
 I have always felt that a lot of the most interesting work, not just mine but other people’s, falls into [the] nether area, somewhere between the worlds of documentary and photojournalism (two very vague words) and the world of art. I think a lot of street photography falls into this nether area. 
 Traditional photojournalists arrive with an idea of what they are going to produce or what the editor wants. I approach a subject very much as a street photographer and a wanderer, without preconceptions. I try to leave it extremely intuitive and exploratory. 
 I couldn’t work without the world, but I always have a very specific way of seeing it. 
 One of the first times I went to Paris as a photographer, I just looked around and I looked over there and I saw that there is Doisneau, there is Brassaï, there is Kertész, and there is Cartier-Bresson. I just thought, “What am I going to do with my camera?” 
 The viewer is yet another eye that is part of the compact that makes a photograph what it is. 
 Sometimes not taking a photograph can be as problematic as taking one. 
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