Beaumont Newhall
[Photographer, writer, and historian, b. 1908, Lynn, Massachusetts, d. 1993, Santa Fe, New Mexico.]

 The fundamental belief in the authenticity of photographs explains why photographs of people no longer living and of vanished architecture are so melancholy. 
 We are not interested in the unusual, but in the usual seen unusually. 
 The present challenge to the photographer is to express inner significance through outward form. 
 It is peculiar to photography that, by the extreme ease of its production, many accidentally interesting photographs are produced. 
 It has been important to me, as an historian of photography, to understand photography by photographing. 
 Attempts to mix photography and painting fail... On this point the masters are unanimous: the photographic image must not be tampered with. (1958) 
 Documentary is, therefore, an approach, which makes use of the artistic faculties to give “vivification to fact”—to use Walt Whitman’s definition of the place of poetry in the modern world. 
 I want to have in my pictures of people a vivid sense of participation: I want the viewer to realize that the subject was indeed aware of the camera, but that he neither feared it nor gloated over it, but allowed the photographer to observe him as is—unposed, unpretentious, natural. 
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