[Writer, b. 1929, Brno, Bohemia (now Czechoslovakia), lives in Paris.]
Memory does not make films, it makes photographs.
The only reason people want to be masters of the future is to change the past. They are fighting for access to the laboratories where photographs are retouched and biographies and histories rewritten.
Seeing is limited by two borders: Strong light, which blinds, and total darkness.
All previous crimes of the Russian empire had been committed under the cover of a discreet shadow. The deportation of a million Lithuanians, the murder of hundreds of thousands of Poles, the liquidation of the Crimean Tatars remain in our memory, but no photographic documentation exists; sooner or later they will therefore be proclaimed as fabrications.