Robert Adams
[Photographer and writer, b. 1937, Orange, New Jersey, lives in Astoria, Oregon.]

 Almost all photographers have incurred large expenses in the pursuit of tiny audiences, finding that the wonder they’d hoped to share is something few want to receive. 
 No place is boring, if you’ve had a good night’s sleep and have a pocket full of unexposed film. 
 With a camera, one has to love individual cases. 
 Invention in photography is so laborious as to be in most instances perverse. 
 What a landscape photographer traditionally tries to do is show what is past, present, and future at once. You want ghosts and the daily news and prophecy... It’s presumptuous and ridiculous. You fail all the time. 
 Many have asked, pointing incredulously toward a sweep of tract homes and billboards, why picture that? The question sounds simple, but it implies a difficult issue—why open our eyes anywhere but in undamaged places like national parks? 
 Pictures should look like they were easily taken. 
 Nature photography… that acknowledges what is wrong, is admittedly sometimes hard to bear—it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. 
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