[Photographer, b. 1923, New York, d. 1971, New York.]
I don’t press the shutter. The image does. And it’s like being gently clobbered.
The thing that’s important to know is that you never know. You’re always sort of feeling your way.
I never have taken a picture I’ve intended. They’re always better or worse.
I think it does, a little, hurt to be photographed.
Most people go through life dreading they’ll have a traumatic experience. Freaks were born with their trauma. They’ve already passed their test in life. They’re aristocrats.
Everything is so superb and breathtaking. I am creeping forward on my belly like they do in war movies.
What moves me about... what’s called technique... is that it comes from some mysterious deep place. I mean it can have something to do with the paper and the developer and all that stuff, but it comes mostly from some very deep choices somebody has made that take a long time and keep haunting them.
The photograph is a secret about a secret, the more it tells you the less you know.